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Tribute to the meditation that I often practice ...After drawing on paper with charcoal, I wanted to paint on canvas in a big size . This painting is the second work of a series of large formats. Acrylic and oil and ink on a linen canvas. This  artwork is streched on chassis . Other formats are available on request. More than 50 paintings have been sold in several countries
Tribute to the meditation that I often practice ...After drawing on paper with charcoal, I wanted to paint on canvas in a big size . This painting is the second work of a series of large formats. Acrylic and oil and ink on a linen canvas. This  artwork is streched on chassis . Other formats are available on request. More than 50 paintings have been sold in several countries
Tribute to the meditation that I often practice ...After drawing on paper with charcoal, I wanted to paint on canvas in a big size . This painting is the second work of a series of large formats. Acrylic and oil and ink on a linen canvas. This  artwork is streched on chassis . Other formats are available on request. More than 50 paintings have been sold in several countries
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Closed eyes and open mind.... Painting

Marie-Blanche Giannorsi

France

Painting, Acrylic on Canvas

Size: 44.9 W x 76.8 H x 1.2 D in

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Originally listed for $7,450
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About The Artwork

Tribute to the meditation that I often practice ...After drawing on paper with charcoal, I wanted to paint on canvas in a big size . This painting is the second work of a series of large formats. Acrylic and oil and ink on a linen canvas. This artwork is streched on chassis . Other formats are available on request. More than 50 paintings have been sold in several countries

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:44.9 W x 76.8 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I put my brushes and paintings in Saint-Paul de Vence. From my professional experiences in the male computer world to the fashion world, I now retain a benevolent and passionate look for the woman and its many complexity that today direct my creative work. In my studio gallery , I expose people with flagrant expression, to which, I juxtapose abstract marks by the application of more or less thick materials and the smudging of the surface, as like a need to "mistreat" the canvas to give a higher intensity to the emotions. Although figurative, my paintings nevertheless seek the subtlety of the dialogue between the canvas and the one who looks at it. And it is this intimate dialogue to each observer that I call the magic of creation ..I use acrylic with large brushes because of speed of execution but the transparency and volatility of the ink quickly became indispensable. I almost end with oil for the vibrations of the light on the colors.

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