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Concealment VI Painting

Cécile Duchêne Malissin

France

Painting, thin paper on Canvas

Size: 47.2 W x 39.4 H x 0.8 D in

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$3,910

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About The Artwork

The artist used several techniques as for most of his paintings: acrylic paint, ink on mounted paper. She rarely paints animals, mainly sheep and deer, which she stages in a dreamlike vegetal space specific to each one. This painting addresses the theme of dissimulation, of the hidden, of the edge. It is part of a series of works (on canvas or paper) resulting from a reflection on our fragility in the face of the world and the need to take refuge behind a protective envelope. The treatment of the animals, essentially on the edge of the forest, confused behind foliage or of the same dark color as the background against which they stand out, expresses this possibility of endangering themselves by showing themselves too much. The work is painted on the sides. A clip is installed at the back for immediate hanging.

Details & Dimensions

Painting:thin paper on Canvas

Original:One-of-a-kind Artwork

Size:47.2 W x 39.4 H x 0.8 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

She is a french artist, born in Paris (France). She currently lives and works in Montargis, near Paris. Both realistic and dreamlike, Cécile Duchêne Malissin’s painting implies some introspection. Characters or animals are shown in abstract settings or lush vegetation. Her works exude a powerful attraction and conveys reverie. They are bushy, free, imaginative compositions and a poetic and singular universe. Her portraits express a meditative abandonment and the richness of an inner life. Childhood, is also tackled and evokes the loss of innocence as well as facing the brutality of the world. The viewer is caught by the serious and mysterious gaze of her characters: who observes who, in this disturbing face-to-face? Relations to nature, to oneself and to others are questioned here. Working on paper or canvas, mixing different techniques (acrylic paint, oil pastels, graphite lead, collage and sometimes sewing...), the works thus created carry in them both a delicacy but also a certain strangeness. The relationship to the body and its fragility are evoked by transparencies which is conferred by a subtle game of collages mixed with acrylic. Memory, forgetfulness, transience of existence are suggested.

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