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I was inspired by the wife of the Italian prime minister, her life made of full spaces but, perhaps also empty spaces, marked by absence.
I wanted to communicate the emptiness and loneliness of those who live a life waiting for someone.
I used transparent materials and liquid colors for glass, because they are materials that transmit the fluidity of time and the unstoppable flow of events.
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Empty spaces Painting

Loretta Zaganelli

Italy

Painting, Enamel on Plastic

Size: 39.4 W x 39.4 H x 1.2 D in

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SOLD
Originally listed for $3,250
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About The Artwork

I was inspired by the wife of the Italian prime minister, her life made of full spaces but, perhaps also empty spaces, marked by absence. I wanted to communicate the emptiness and loneliness of those who live a life waiting for someone. I used transparent materials and liquid colors for glass, because they are materials that transmit the fluidity of time and the unstoppable flow of events.

Details & Dimensions

Painting:Enamel on Plastic

Original:One-of-a-kind Artwork

Size:39.4 W x 39.4 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

In my work I want to take the small signs that life presents us every day, not the macro-systems, but those with small and infinite (because unexpected) related to the lives of everyone. The photography is often the appropriate medium to record the signs and understand feelings, fleeting impressions, traces of desire falls and educated in the most unexpected places, left free to move in the wind. The photograph is often also the easiest way to transmit something. The project becomes the project up as it is lived and the work goes on every time it is exposed, becoming part of a statement mild and quiet living in a different way each time. Since 2012 I have started to create installations and to paint, using materials of different types, such as fabrics, pages, tissue paper, transparent colors for glass, or glazes on plexiglass. Things are always connected to each other. I love transparent and light materials, ductile and evocative that let you imagine something beyond oneself, I love everything that looks liquid and that refers to the concept of memory and fluidity, so I love using different media, just to make the idea of ​​change inexistent in the evolution of artistic research itself. Small objects, images, short texts, memory, Arianne's threads, all this is useful to reconstruct the plots of a life in constant change.

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