VIEW IN MY ROOM
United States
Painting, Oil on Wood
Size: 24 W x 24 H x 3 D in
Ships in a Box
Artist Recognition
Artist featured in a collection
Composed using all of the letters in Shelley's Sonnet "Ozymandias": I met a traveller from an antique land, Who said—“Two vast and trunkless legs of stone Stand in the desert. . . . Near them, on the sand, Half sunk a shattered visage lies, whose frown, And wrinkled lip, and sneer of cold command, Tell that its sculptor well those passions read Which yet survive, stamped on these lifeless things, The hand that mocked them, and the heart that fed; And on the pedestal, these words appear: My name is Ozymandias, King of Kings; Look on my Works, ye Mighty, and despair! Nothing beside remains. Round the decay Of that colossal Wreck, boundless and bare The lone and level sands stretch far away.”
Painting:Oil on Wood
Original:One-of-a-kind Artwork
Size:24 W x 24 H x 3 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Originally from California, David was raised by New Yorkers in San Francisco and Los Angeles, and studied fine art, graphic design and computer science at at Cal Poly in San Luis Obispo. There, he began studying landscape and figure painting, working regularly in both watercolor and oil pastel. Since moving to New York in 1999, David has painted in oil and acrylic, incorporating 3d printing, mathematics and scientific principles into his work. He has exhibited around the country and his work is in private and corporate collections. He works professionally as a 3d and environmental designer. My current work is an ongoing exploration of the borders between traditional art practices and elements of design, technology, science and mathematics. I enjoy the visual languages inherent in each of these interests; art history as an aggregate of thousands of years of representation, letterforms as brushstrokes of language, layering as a palimpsest of life lived, simple algorithms that give rise to complex forms in nature. I find that the convergence of these influences yields novel hybrids; combining abstraction and figuration, 2d and 3d space, chaos and repose, signal and noise.
Artist featured by Saatchi Art in a collection
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