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Entropy Sonnet (To Time) Painting

David Rockwell

United States

Painting, Oil on Plastic

Size: 24 W x 24 H x 3 D in

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About The Artwork

Composed using all of the letters in the Sylvia Plath Sonnet "To Time": Today we move in jade and cease with garnet Amid the ticking jeweled clocks that mark Our years. Death comes in a casual steel car, yet We vaunt our days in neon and scorn the dark. But outside the diabolic steel of this Most plastic-windowed city, I can hear The lone wind raving in the gutter, his Voice crying exclusion in my ear. So cry for the pagan girl left picking olives Beside a sunblue sea, and mourn the flagon Raised to toast a thousand kings, for all gives Sorrow; weep for the legendary dragon. Time is a great machine of iron bars That drains eternally the milk of stars.

Details & Dimensions

Painting:Oil on Plastic

Original:One-of-a-kind Artwork

Size:24 W x 24 H x 3 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Originally from California, David was raised by New Yorkers in San Francisco and Los Angeles, and studied fine art, graphic design and computer science at at Cal Poly in San Luis Obispo. There, he began studying landscape and figure painting, working regularly in both watercolor and oil pastel. Since moving to New York in 1999, David has painted in oil and acrylic, incorporating 3d printing, mathematics and scientific principles into his work. He has exhibited around the country and his work is in private and corporate collections. He works professionally as a 3d and environmental designer. My current work is an ongoing exploration of the borders between traditional art practices and elements of design, technology, science and mathematics. I enjoy the visual languages inherent in each of these interests; art history as an aggregate of thousands of years of representation, letterforms as brushstrokes of language, layering as a palimpsest of life lived, simple algorithms that give rise to complex forms in nature. I find that the convergence of these influences yields novel hybrids; combining abstraction and figuration, 2d and 3d space, chaos and repose, signal and noise.

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