VIEW IN MY ROOM
Everybody’s Gotta Live (Electric Version) Painting
Painting, Acrylic on Canvas
Size: 72 W x 48 H x 1.5 D in
Ships in a Crate
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About The Artwork
Everybody's gotta live Everybody's gonna die Everybody's gotta live Before you know the reason why Sometime they go and get so good Then again it gets pretty rough But when I have you in my arms, baby You know I just can't I just can't get enough, oh yeah! Everybody's gotta live Everybody's gonna die Everybody gotta live You gotta live Before you know the reason why I saw a blind man standing On the corner yesterday, baby He couldn't hardly tie his shoes, yes But he had a harmonica And a guitar strapped around his neck And he sure could He sure could play the blues, oh yeah! Everybody's gotta live Everybody's gonna die Everybody's gotta live You gotta live Before you know the reason why I had a dream the other night, baby I dreamt that I was alone But when I woke up I took a look around myself And I was surrounded by fifty million strong Oh yeah! Everybody's gotta live Everybody's gonna die Everybody's gotta live You gotta live Before you know the reason why, hey! Everybody's gotta live Everybody's gonna die... Everybody's gotta live Before you know the reason why Everybody's gotta live Everybody's gonna die Everybody's gotta live You gotta live Before you know the reason why, yeah! Everybody's gotta live Everybody's gonna die, whoa! Everybody's gotta (I have a good time, showing off) Before you know the reason why... Everybody's gotta live Everybody's gonna die... Everybody's gotta live… ‘Everybody’s Gotta Live’ by Love Songwriter: Arthur Lee Reel to Real is the seventh and final album by the American rock band Love, released in 1974. Reel to Real was the first official Love album in four years, and bandleader Arthur Lee recorded the album with studio musicians after dismissing all previous band members. It follows the release of Lee's solo album Vindicator in 1972 and two different Love albums that had been recorded but never released. Reel to Real featured the same musicians that played on the unreleased Black Beauty and was originally intended as part of a two-album deal with Robert Stigwood's RSO Records. A long-time admirer of Arthur Lee, Skip Taylor, approached the label and convinced Stigwood to give the previously commercially unsuccessful Lee the largest advance he would ever receive, followed by the biggest touring opportunity any incarnation of Love would ever embark on, opening for acts such as Lou Reed and Eric Clapton. The tour was a disaster due to Lee's increasingly erratic behavior. The album was reissued by High Moon Records with new liner notes, archival photos and bonus tracks on CD and digital in 2015 and LP in 2016. Love was an American psychedelic and folk-rock band formed in Los Angeles in 1965. Led by Arthur Lee, Love was one of the first racially diverse American rock bands. Their style drew from an eclectic range of sources including hard rock, blues, jazz, flamenco, and orchestral pop. While finding only modest success on the music charts, peaking in 1966 with their Top 40 hit "7 and 7 Is", Love would come to be praised by critics as their third album, Forever Changes (1967), became generally regarded as one of the best albums of the 1960s. It was added to the Library of Congress's National Recording Registry in 2011. Arthur Taylor Lee (born Arthur Porter Taylor; March 7, 1945 – August 3, 2006) was an American singer-songwriter who rose to fame as the leader of the Los Angeles rock band Love. Love's 1967 album Forever Changes was inducted into the Grammy Hall of Fame, and it is part of the National Recording Registry. Source: Wikipedia
Details & Dimensions
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:72 W x 48 H x 1.5 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"
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