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The composition of this painting evolved from my impressions of the life model, as she moved through many different very quick poses. I worked in layers with a number of different colour harmonies. Our model for the day was Amelie, who is from France and travelling in Australia.

Fleeting Impressions was worked in a Friday Dynamic Drawing session at Byron Bay, Australia.

Acrylic painting on canvas stretched over a timber frame. Complete with D hooks and strong, adjustable hanging cord. Ready to hang. Unframed. Framing is not needed, as all sides are painted as a continuation of the picture.
The composition of this painting evolved from my impressions of the life model, as she moved through many different very quick poses. I worked in layers with a number of different colour harmonies. Our model for the day was Amelie, who is from France and travelling in Australia.

Fleeting Impressions was worked in a Friday Dynamic Drawing session at Byron Bay, Australia.

Acrylic painting on canvas stretched over a timber frame. Complete with D hooks and strong, adjustable hanging cord. Ready to hang. Unframed. Framing is not needed, as all sides are painted as a continuation of the picture.
The composition of this painting evolved from my impressions of the life model, as she moved through many different very quick poses. I worked in layers with a number of different colour harmonies. Our model for the day was Amelie, who is from France and travelling in Australia.

Fleeting Impressions was worked in a Friday Dynamic Drawing session at Byron Bay, Australia.

Acrylic painting on canvas stretched over a timber frame. Complete with D hooks and strong, adjustable hanging cord. Ready to hang. Unframed. Framing is not needed, as all sides are painted as a continuation of the picture.
The composition of this painting evolved from my impressions of the life model, as she moved through many different very quick poses. I worked in layers with a number of different colour harmonies. Our model for the day was Amelie, who is from France and travelling in Australia.

Fleeting Impressions was worked in a Friday Dynamic Drawing session at Byron Bay, Australia.

Acrylic painting on canvas stretched over a timber frame. Complete with D hooks and strong, adjustable hanging cord. Ready to hang. Unframed. Framing is not needed, as all sides are painted as a continuation of the picture.
The composition of this painting evolved from my impressions of the life model, as she moved through many different very quick poses. I worked in layers with a number of different colour harmonies. Our model for the day was Amelie, who is from France and travelling in Australia.

Fleeting Impressions was worked in a Friday Dynamic Drawing session at Byron Bay, Australia.

Acrylic painting on canvas stretched over a timber frame. Complete with D hooks and strong, adjustable hanging cord. Ready to hang. Unframed. Framing is not needed, as all sides are painted as a continuation of the picture.
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Fleeting Impressions - Amelie Painting

Josephine Window

Australia

Painting, Acrylic on Canvas

Size: 29.9 W x 40.2 H x 1.6 D in

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About The Artwork

The composition of this painting evolved from my impressions of the life model, as she moved through many different very quick poses. I worked in layers with a number of different colour harmonies. Our model for the day was Amelie, who is from France and travelling in Australia. Fleeting Impressions was worked in a Friday Dynamic Drawing session at Byron Bay, Australia. Acrylic painting on canvas stretched over a timber frame. Complete with D hooks and strong, adjustable hanging cord. Ready to hang. Unframed. Framing is not needed, as all sides are painted as a continuation of the picture.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:29.9 W x 40.2 H x 1.6 D in

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I create my art with passion, happiness and a sense of being lucky. Contemporary abstract style is the most natural to me. Important influences are nature in many forms, the human body and people. As I develop the picture, a story evolves in my imagination. My expression is inspired by life's complexity and energies. Major areas of work are painting and drawing. Painting The subject and style determine whether I work in oils, mixed media or acrylic paints. I love to paint with complex colour interactions and challenging compositions. In my Colour Circle series of oil paintings, my interest is in the dynamics between emotions and visual impact of colour. I use complex colour structures and layers of texture. A formal style brings coherence and harmony to the picture. For me, oil painting is a slow, thoughtful process. Drawing In my current drawing practice I use layers of lines and colours in mixed media to form the composition and develop my ideas into stories. I love to draw quickly and spontaneously to music. The life model, props and music provide the catalyst for me to enter the world of my imagination. I attend weekly Dynamic Drawing sessions at Byron Bay, New South Wales, Australia.

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