"Fly, you fools!" Painting

"Fly, you fools!" -Gandalf (Ian McKellen) Gandalf is a protagonist in J. R. R. Tolkien's novels The Hobbit and The Lord of the Rings. He is a wizard, one of the Istari order, and the leader and mentor of the Fellowship of the Ring. Tolkien took the name "Gandalf" from the Old Norse "Catalogue of Dwarves" (Dvergatal) in the Völuspá. As a wizard and the bearer of a Ring of Power, Gandalf has great power, but works mostly by encouraging and persuading. He sets out as Gandalf the Grey, possessing great knowledge, and travelling continually, always focused on the mission to counter the Dark Lord Sauron. He is associated with fire, his ring being Narya, the Ring of Fire, and he both delights in fireworks to entertain the hobbits of the Shire, and in great need uses fire as a weapon. As one of the Maiar he is an immortal spirit, but being in a physical body on Middle-earth, he can be killed in battle, as he is by the Balrog from Moria. He is sent back to Middle-earth to complete his mission, now as Gandalf the White and leader of the Istari. Tolkien once described Gandalf as an angel incarnate; later, both he and other scholars have likened Gandalf to the Norse god Odinin his "Wanderer" guise. Others have described Gandalf as a guide-figure who assists the protagonist, comparable to the Cumaean Sibyl who assisted Aeneas in Virgil's The Aeneid, or to Virgil himself in Dante's Inferno; and as a Christ-figure, a prophet. A Balrog (/ˈbælrɒɡ/) is a powerful fictional monster in J. R. R. Tolkien's Middle-earth. It first appeared in print in his high fantasy novel The Lord of the Rings, where the Fellowship of the Ring encounter one known as Durin's Bane in the Mines of Moria. Balrogs appear also in Tolkien's The Silmarillion and other posthumously published books. Balrogs are tall and menacing beings who can shroud themselves in fire, darkness, and shadow. They are armed with fiery whips "of many thongs", and occasionally used long swords. In Tolkien's later conception, they could not be readily vanquished—a certain stature was required by the would-be hero. Only dragons rivalled their capacity for ferocity and destruction, and during the First Age of Middle-earth, they were among the most feared of Morgoth's forces. Tolkien invented the name "Balrog", providing an in-universe etymology for it as a word in his invented Sindarin language. He may have gained the idea of a fire demon from his philological study of the Old English word Sigelwara, which he studied in detail in the 1930s. Balrogs appear in the film adaptations of The Lord of the Rings by Ralph Bakshi and Peter Jackson, and in computer and video games based on Middle-earth. In the fiction of J. R. R. Tolkien, Moria, also named Khazad-dûm, is an ancient subterranean complex in Middle-earth, comprising a vast labyrinthine network of tunnels, chambers, mines and halls under the Misty Mountains, with doors on both the western and the eastern sides of the mountain range. Moria is introduced in Tolkien's novel The Hobbit, and is a major scene of action in The Lord of the Rings. In much of Middle-earth's fictional history, Moria was the greatest city of the Dwarves. The city's wealth was founded on its mines, which produced mithril, a fictional metal of great beauty and strength, suitable for armour. The Dwarves dug too deep, greedy for mithril, and disturbed a demon of great power: a Balrog, which destroyed their kingdom. By the end of the Third Age, Moria had long been abandoned by the Dwarves, and was a place of evil repute. It was dark, in dangerous disrepair, and in its labyrinths lurked Orcs and the Balrog. Scholars have identified likely sources for Tolkien's Moria: he had studied a Latin inscription about a lost ring at the temple of Nodens in Gloucestershire, at a place called Dwarf's Hill full of old mine-workings. The name Moria, Tolkien wrote, echoed the name of a castle in a Scandinavian folktale, while Gandalf's death and reappearance reminded critics of the resurrection and transfiguration of Jesus. The West Gate that the Watcher in the Water crashes closed behind the Fellowship recalled to commentators the Wandering Rocks of Greek mythology, and Odysseus's passage between the devouring Scylla and the whirlpool Charybdis. Finally, the Fellowship's entry into the darkness via the deadly lake by the West Gate, and its exit into the light via the beautiful Mirrormere, alongside Gandalf's death and reappearance, has been compared to a baptism, a ceremony that combines a symbolic death and the gift of new life. Moria provided dramatic scenes in Peter Jackson's film The Lord of the Rings: The Fellowship of the Ring, inspired by Alan Lee's illustrations. Its multiple levels of tunnels and halls have served, too, as the basis for a variety of computer and board games. Source: Wikipedia

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:72 W x 60 H x 1.5 D in

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