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Greyhound at Whitstable Oil on canvas 118 x 78cm This painting was made from a photograph I took whilst in Whitstable. I inconspicuously photographed a greyhound that belonged to a passerby as I had been wanting to paint one for a while, I happened to be struct by the scene that was serendipitously unfolding before me, the light and shadow, the texture of the dog’s fur. The painting also takes direct inspiration from the Whitstable landscape, how the long stretch of beach is jarringly divided by the groynes, the crash of the waves, the sky meeting the sea, the ochre land. The subject matter is deconstructed, rearranged and reassembled; the painting isn’t realist, surrealist or entirely representational, it falls somewhere between artistic movements and begins to encompass some of the variety of aesthetic styles that inform my work.
Greyhound at Whitstable Oil on canvas 118 x 78cm This painting was made from a photograph I took whilst in Whitstable. I inconspicuously photographed a greyhound that belonged to a passerby as I had been wanting to paint one for a while, I happened to be struct by the scene that was serendipitously unfolding before me, the light and shadow, the texture of the dog’s fur. The painting also takes direct inspiration from the Whitstable landscape, how the long stretch of beach is jarringly divided by the groynes, the crash of the waves, the sky meeting the sea, the ochre land. The subject matter is deconstructed, rearranged and reassembled; the painting isn’t realist, surrealist or entirely representational, it falls somewhere between artistic movements and begins to encompass some of the variety of aesthetic styles that inform my work.
Greyhound at Whitstable Oil on canvas 118 x 78cm This painting was made from a photograph I took whilst in Whitstable. I inconspicuously photographed a greyhound that belonged to a passerby as I had been wanting to paint one for a while, I happened to be struct by the scene that was serendipitously unfolding before me, the light and shadow, the texture of the dog’s fur. The painting also takes direct inspiration from the Whitstable landscape, how the long stretch of beach is jarringly divided by the groynes, the crash of the waves, the sky meeting the sea, the ochre land. The subject matter is deconstructed, rearranged and reassembled; the painting isn’t realist, surrealist or entirely representational, it falls somewhere between artistic movements and begins to encompass some of the variety of aesthetic styles that inform my work.
Greyhound at Whitstable Oil on canvas 118 x 78cm This painting was made from a photograph I took whilst in Whitstable. I inconspicuously photographed a greyhound that belonged to a passerby as I had been wanting to paint one for a while, I happened to be struct by the scene that was serendipitously unfolding before me, the light and shadow, the texture of the dog’s fur. The painting also takes direct inspiration from the Whitstable landscape, how the long stretch of beach is jarringly divided by the groynes, the crash of the waves, the sky meeting the sea, the ochre land. The subject matter is deconstructed, rearranged and reassembled; the painting isn’t realist, surrealist or entirely representational, it falls somewhere between artistic movements and begins to encompass some of the variety of aesthetic styles that inform my work.
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Greyhound at Whitstable Painting

Joshua Daniels

United Kingdom

Painting, Oil on Canvas

Size: 35.8 W x 47.6 H x 1.6 D in

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Originally listed for $3,600
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About The Artwork

Greyhound at Whitstable Oil on canvas 118 x 78cm This painting was made from a photograph I took whilst in Whitstable. I inconspicuously photographed a greyhound that belonged to a passerby as I had been wanting to paint one for a while, I happened to be struct by the scene that was serendipitously unfolding before me, the light and shadow, the texture of the dog’s fur. The painting also takes direct inspiration from the Whitstable landscape, how the long stretch of beach is jarringly divided by the groynes, the crash of the waves, the sky meeting the sea, the ochre land. The subject matter is deconstructed, rearranged and reassembled; the painting isn’t realist, surrealist or entirely representational, it falls somewhere between artistic movements and begins to encompass some of the variety of aesthetic styles that inform my work.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:35.8 W x 47.6 H x 1.6 D in

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Joshua Daniels (b. 1991, UK) joshuadaniels@hotmail.co.uk Joshuadaniels.co.uk http://instagram.com/joshuadanielsart

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