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VIEW IN MY ROOM

'Hanging on the strings of Green and Blues' Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 60 W x 36 H x 1.5 D in

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About The Artwork

Here we are Hanging on the strings of green and blues Break the chain and we break down Oh it's not real if you don't feel it Unspoken expectations Ideals you used to play with They've finally taken shape What's good enough for you Is good enough for me It's good enough It's good enough for me Yeah yeah yeah yeah yeah Now you say You're startin' to feel the push and pull Of what could be and never can You mirror me stumblin' through those Old fashioned superstitions I find too hard to break Oh maybe you're out of place What's good enough for you Is good enough for me It's good enough It's good enough for me Yeah yeah yeah yeah yeah For you Is good enough for me It's good, it's good enough It's good enough for me Yeah yeah yeah yeah yeah Old fashioned superstitions I find too hard to break Oh, maybe you're out of place What's good enough for you Is good enough for me It's good enough It's good enough for me Yeah yeah yeah yeah yeah For you Is good enough for me It's good, it's good enough It's good enough for me Yeah yeah yeah yeah yeah Whoa whoa whoa whoa whoa Ah huh Yeah yeah yeah yeah yeah Yeah yeah yeah yeah yeah ‘The Goonies ‘R’ Good Enough’ by Cyndi Lauper Songwriters: Cyndi Lauper / Steve Broughton / Arthur Willmore Stead "The Goonies 'R' Good Enough" is a 1985 song by American singer Cyndi Lauper. It was released as a single for the film The Goonies. It was her fifth top 10 single on the Hot 100. Before its inclusion on The Essential Cyndi Lauper in 2003, the song did not appear on any of Lauper's albums or the 1994 compilation Twelve Deadly Cyns...and Then Some. Lauper admitted in an interview with Matthew Rettenmund that she hated the song, which was why she had chosen not to include it on her first compilation. The song has been covered by several artists, such as Bombones, Haruko Momoi, The Advantage, New Found Glory, Radical Face, Minibosses, and Tomoyuki Uchida. The song was featured in several iterations of Konami's Goonies video games, most notably The Goonies for the Famicom and The Goonies II for the Nintendo Entertainment System. It was also featured in an instrumental version in Pop'n Music 10. Steven Spielberg had made Lauper the musical director for the Goonies soundtrack. She sought out new bands to be included on the project including her friends, the Bangles. Lauper originally titled the song simply "Good Enough", but it was changed by Warner Bros., who wanted the title of the film to be part of the song title for marketing reasons. Lauper refused to play the song live after 1987. She finally incorporated it back into her live show during several dates in Australia in 2004. Fans kept requesting the song and Lauper eventually sang the first verse and chorus a cappella. She has since incorporated the song back into her live set, due to overwhelming fan recognition. In 2012, Lauper performed a parody version entitled "Taffy Butt" for the second season premiere episode of the Fox animated television series Bob's Burgers; the episode is an homage to The Goonies. Her son, a fan of the series, insisted she record the new version. In 2014, "The Goonies 'R' Good Enough" was heavily featured in a The Goonies-themed episode of the ABC comedy series The Goldbergs. Cynthia Ann Stephanie Lauper (born June 22, 1953) is an American singer, songwriter, actress and activist. Her career has spanned over 40 years. Her album She's So Unusual (1983) was the first debut album by a female artist to achieve four top-five hits on the Billboard Hot 100—"Girls Just Want to Have Fun", "Time After Time", "She Bop", and "All Through the Night"—and earned Lauper the Best New Artist award at the 27th Grammy Awards in 1985. Her success continued with the soundtrack for the motion picture The Goonies and her second record True Colors (1986). This album included the number one single "True Colors" and "Change of Heart", which peaked at number three. In 1989, she had a hit with a cover of Roy Orbison's "I Drove All Night". Since 1983, Lauper has released eleven studio albums and participated in many other projects. In 2010, Memphis Blues became Billboard's most successful blues album of the year, remaining at number one on the Billboard Blues Albums chart for 13 consecutive weeks. In 2013, Lauper won the Tony Award for best original score for composing the Broadway musical Kinky Boots, making her the first woman to win the category by herself. The musical was awarded five other Tonys including Tony Award for Best New Musical. In 2014, Lauper was awarded the Grammy Award for Best Musical Theater Album for the cast recording. In 2016, the West End production won Best New Musical at the Olivier Awards. Lauper has sold over 50 million records worldwide. She has won awards at the Grammys, Emmys, Tonys, the New York's Outer Critics Circle, MTV Video Music Awards (VMAs), Billboard Awards, and American Music Awards (AMAs). An inductee into both the Songwriters Hall of Fame and the Hollywood Walk of Fame, Lauper is one of the few singers to win three of the four major American entertainment awards (EGOT). Lauper won the inaugural Best Female Video prize at the 1984 VMAs for "Girls Just Want to Have Fun". This music video is recognized by MTV, VH1 and Rolling Stone as one of the greatest music videos of the era. She is featured in the Rock and Roll Hall of Fame Museum's Women Who Rock exhibit. Her debut album is included in Rolling Stone's list of the 500 Greatest Albums of All Time, while "Time After Time" is included in VH1's list of the 100 Best Songs of the Past 25 years. VH1 has ranked Lauper No. 58 of the 100 Greatest Women of Rock & Roll. Lauper is known for her distinctive image, featuring a variety of hair colors and eccentric clothing, and for her powerful and distinctive four-octave singing range. She has been celebrated for her humanitarian work, particularly as an advocate for LGBT rights in the United States. Her charitable efforts were acknowledged in 2013 when she was invited as a special guest to attend U.S. President Barack Obama's second-term inauguration. Source: Wikipedia

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:60 W x 36 H x 1.5 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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