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I Want to Consume it All at Once Painting

Jill Doherty

Germany

Painting, Oil on Canvas

Size: 63 W x 63 H x 6 D in

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$18,000

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About The Artwork

'I Want to Consume It All at Once' is part of the 'The Shape of Death' series. The Shape of Death is a series of work delving into the ambiguity surrounding death, questioning the overlap between the corporeal and ethereal states and confronting our diverse and contrasting attitudes towards death, both with regard to humans as well as other forms of life. This series of work forms a stasis, where the infliction of death is juxtaposed with the preservation of being. It encapsulates a sense of confusion and fear, balanced out against a more peaceful interpretation. Through the study of conservation and preservation of once living beings we can attempt to distinguish the entity of death itself. Whether it is through religious or scientific avenues, death can become an object for study or a catalyst for worship. There can be a stillness, tranquility and sense of calm embodied within death, a beauty encapsulated within the shapes that it leaves behind. This series reflects the fact that we are presented with death in our everyday lives, most often in connection with animals. The paintings in this series explore the role of context for perception, addressing the shapes and emotional connotations that death entails. The work is a culmination of questions about what it means to be alive, what it means to be immersed in the world and how the binary of destruction and order that life and death entails can be interpreted artistically.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:63 W x 63 H x 6 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Jill Tegan Doherty, born in 1983 in Nottingham, England, emerges as an artist characterised by a versatile and multifaceted trajectory. Her artistic education commenced with a merit received during her foundation course at the Kingston school of Art in 2003, followed by her graduation from Chelsea College of Art and Design in 2006—a prominent constituent of the London Institute. Currently based in Berlin, Doherty’s artistic ingenuity shines through her fluid command of diverse mediums, effortlessly transitioning between forms and materials. While painting remains her core identity, her work extends to encompass sculpture, installation, performance, drawing, and etching. The early phase of Doherty’s career in London was punctuated by her notable participation in exhibitions hosted at esteemed venues, including The Royal Academy’s summer exhibition and The Mall Galleries for the Society of Women Artists annual exhibition. A pivotal juncture arose with her move to Berlin in 2011, a shift that resonated in her subsequent presence within the German art scene, evident through her participation in exhibitions and art fairs across leading German cities, including Berlin, Hamburg, Mannheim, Stuttgart, Munich, and Cologne. From 2017 to 2022, Doherty was represented by the Gudberg Nerger Gallery in Hamburg, a period that highlighted her unique artistic voice. Her influence has extended internationally, reaching Denmark, Sweden, and the Netherlands. In 2017, Doherty’s residency at Thurup Hus in Denmark, funded by the Assens Arts Council, brought an enriching dimension to her creative pursuit. A recent residency in Mexico further catalysed a significant evolution in her work, enhancing the complexity of her already multi-layered creations. Doherty’s artworks resonate as reflective portals, inviting viewers to embark on introspective reveries while igniting unbounded imagination. Her art operates as a conduit, guiding viewers into the intricate realms of the unconscious, fostering a profound journey of exploration.

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