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'Induction, then Destruction' Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 36 W x 72 H x 1.5 D in

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War, huh, yeah What is it good for? Absolutely nothing, uh-huh, uh-huh War, huh, yeah What is it good for? Absolutely nothing, say it again, y'all War, huh, good god What is it good for? Absolutely nothing, listen to me Oh war, I despise 'Cause it means destruction of innocent lives War means tears to thousands of mothers' eyes When their sons go off to fight and lose their lives I said, war, huh, good god, y'all What is it good for? Absolutely nothing, say it again War, huh, whoa-oh-whoa-oh, Lord What is it good for? Absolutely nothing, listen to me War, it ain't nothing but a heartbreak War, friend only to the undertaker Oh, war, is an enemy to all mankind The thought of war blows my mind War has caused unrest within the younger generation Induction then destruction, who wants to die? Oh, war, huh, good god, y'all What is it good for? Absolutely nothing, say it, say it, say it War, huh, uh-huh, yeah, uh What is it good for? Absolutely nothing, listen to me War, it ain't nothing but a heartbreaker War, it got one friend, that's the undertaker Oh, war has shattered many a young man's dreams Made him disabled, bitter and mean Life is much too short and precious to spend fighting wars these days War can't give life, it can only take it away Oh, war, huh, good god, y'all What is it good for? Absolutely nothing, say it again War, huh, whoa-oh-whoa-oh, Lord What is it good for? Absolutely nothing, listen to me War, it ain't nothing but a heartbreaker War, friend only to the undertaker Peace, love and understanding, tell me Is there no place for them today? They say we must fight to keep our freedom But lord knows there's got to be a better way Oh, war, huh, good god, y'all What is it good for? You tell me, (nothing) say it, say it, say it, say it War, huh, good god, yeah, huh What is it good for? Stand up and shout it (nothing) ‘War’ by Edwin Starr Songwriters: Norman Whitfield / Barrett Strong "War" is a counterculture era soul song written by Norman Whitfield and Barrett Strong for the Motown label in 1969. Whitfield first produced the song – an obvious anti-Vietnam War statement – with The Temptations as the original vocalists. After Motown began receiving repeated requests to release "War" as a single, Whitfield re-recorded the song with Edwin Starr as the vocalist, with the label deciding to withhold the Temptations' version from single release so as not to alienate their more conservative fans. Starr's version of "War" was a No. 1 hit on the Billboard Hot 100 chart in 1970, and is not only the most successful and well-known record of his career, but it is also one of the most popular protest songs ever recorded. It was one of 161 songs on the no-play list issued by Clear Channel following the events of September 11, 2001. Edwin Starr, who had become a Motown artist in 1968 after his former label, Ric-Tic, was purchased by Motown founder Berry Gordy, became "War's" new vocalist. Considered among Motown's "second-string" acts, Starr had only one major hit, 1968's No. 6 hit "Twenty-Five Miles", to his name by this time. He heard about the conflict surrounding the debate of whether or not to release "War", and volunteered to re-record it. Whitfield re-created the song to match Starr's James Brown-influenced soul shout: the single version of "War" was dramatic and intense, depicting the general anger and distaste the anti-war movement felt towards the war in Vietnam. Unlike the Temptations' original, Starr's "War" was a full-scale Whitfield production, with prominent electric guitar lines, clavinets, a heavily syncopated rhythm accented by a horn section, and with The Originals and Whitfield's new act The Undisputed Truth on backing vocals. Upon its release in June 1970, Starr's "War" became a runaway hit, and held the No. 1 position on the Billboard Pop Singles chart for three weeks, in August and September 1970. It replaced "Make It With You" by Bread, and was itself taken out of the spot by another Motown single, "Ain't No Mountain High Enough" by Diana Ross. Billboard ranked it as the No. 5 song of 1970. Notable as the most successful protest song to become a pop hit, earning compliments from contemporary protester John Lennon, "War" became Edwin Starr's signature song. Rather than hindering his career (as it might have done for the Temptations), "War" buoyed Starr's career, and he adopted the image of an outspoken liberal orator for many of his other early-1970s releases, including the similarly themed "Stop the War Now" from 1971. It and another 1971 single, "Funky Music Sho' 'Nuff Turns Me On", continued Starr's string of Whitfield-produced psychedelic soul hits. After 1971, Starr's career began to falter, and, citing Motown's reliance on formulas, he departed the label in the mid-1970s. Later in his career, after moving to the United Kingdom, Starr re-recorded several of his hits with British band Utah Saints. Starr's new version of "War" in 2003 was his final piece. He died on April 2 of the same year of a heart attack. Starr earned a Grammy nomination in 1971 for "War" for best R&B Male Vocal. In 1999, Starr's recording of the song was inducted into the Grammy Hall of Fame. Starr's version of the song was used as the basis for a cover version by Ugly Rumours, a group formed by Tony Blair while at university. The song was released by the Stop the War Coalition and credited to Ugly Rumours, with the band being fronted by a lookalike of Blair. It peaked at number 21 on the UK Singles Chart in March 2007. War & Peace is an album recorded by Edwin Starr and released by Motown Records in 1970. The album reached number 52 on the Billboard 200 and #9 on the R&B album chart, while the single, "War" reached #1 on the Billboard Hot 100 chart, where it remained for 15 weeks. The song was nominated for best R&B Male Vocal Performance at the 13th Annual Grammy Awards in 1971. The album's arrangements are by David Van De Pitte, Henry Cosby, Paul Riser, Wade Marcus and Willie Shorter. The art direction and design by Curtis McNair. Edwin Starr (born Charles Edwin Hatcher; January 21, 1942 – April 2, 2003) was an American singer and songwriter. Starr was famous for his Norman Whitfield-produced Motown singles of the 1970s, most notably the number-one hit "War". Starr was born in Nashville and raised in Ohio, and later lived in Detroit while singing for Ric-Tic and Motown Records. He was backed by the band that would become known as "Black Merda". Hawkins and Veasey of the group played on most of his early hits on the Ric Tic Label. Starr's songs "25 Miles" and "Stop the War Now" were also major successes, in 1969 and 1971 respectively. In the 1970s Starr's base shifted to the United Kingdom, where he continued to produce music, and resided until his death. Source: Wikipedia

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:36 W x 72 H x 1.5 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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