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Kingdom of Heaven Overture Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 36 W x 72 H x 1.5 D in

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About The Artwork

Kingdom of Heaven is the soundtrack to 2005 Ridley Scott motion picture of the same name. The soundtrack was composed, co-orchestrated and conducted by Harry Gregson-Williams, and performed in large part by Gavyn Wright and the London Session Orchestra, and released by Sony Classical on April 26, 2005. It is a medley of choral hymns featuring Catherine Bott and Iestyn Davies, instrumentals and percussions, and full orchestral performances. The film also includes several other notable contemporary and historical listings not included on the released soundtrack: * 1186 - The plucked string instrument during the first few seconds of the film as the titles appear. Named thus despite the fact that the film states the year is 1184. This track is actually composed by Hans Zimmer. * Vide Cor Meum – The operatic aria during King Baldwin IV's funeral, originally composed for the soundtrack of the film Hannibal. * Ave Regina cælorum – The first stanza of this twelfth-century antiphon is used on the soundtrack in the track "Burning the Past". * Raimon de Miraval, Chansoneta farai Vencut – Occitan troubadour lyric of the early thirteenth century, used in the closing scene, and in the Director's Cut, in the flashback with Balian and his wife, performed by Ensemble Convivencia. * Guiot de Dijon, Chanterai por mon corage – French trouvère lyric from the time of the Third Crusade, used in the Director's Cut for Godfrey's flashback as he remembers Balian's mother. * Valhalla/Viking Victory – Music used during the "knighting" scene before the siege, originally composed for the soundtrack of the film "The 13th Warrior" by Jerry Goldsmith. * Passion Chorale – Music played during Raynald's death (specifically, an excerpt from St. Matthew's Passion, BWV 244, by J.S. Bach "Befiehl du deine Wege", performed by the Hilliard Ensemble and Christoph Poppen and recorded for the album "Morimur", track 8 – Choral: Befiehl Du Deine Wege). * Epitaph – A Nasheed-style song in Arabic by Luis Delgado from the Album Sueno de al-Zaqqaq ("The Dream of al-Zaqqaq"), is played in the scene in which Saladin enters the city. In this scene there are three songs from that album of Luis Delgado combined. The first is "Epitaph", the second is "Balansiya" and the third is "La Aurora Nocturna". * Bibbe Leydi – This song is performed by Baaba Maal & Mansour Seck, used in the Directors's Cut, song played while Balian watches a toy boat float on water running down a wooden waterway in Ibelin. * Rannanu (Sing with Joy) by the Savae San Antonio Vocal Arts Ensemble – Plays while the crusader army marches through the desert before the battle of Hattin. * Saa Magni (Death is Terrible) by Oumou Sangare – Plays during the sex scene between Balian and Sibylla. * Family Feud - This plays during the scene of Balian and Salah ad-Din discussing the terms to surrender the city, originally composed for the film Blade II by Marco Beltrami * Nunc Gaudeant Materna, a 12th-century ecclesiastical hymn by Hildegard of Bingen, played in the Director's Cut immediately after the son of Roger de Cormier is executed by Godfrey's company. * The Crow Descends by Graeme Revell - Plays when Balian is attacked just after the Coronation. A slight rearrangement from the version featured on The Crow: Original Motion Picture Score. Harry Gregson-Williams (born 13 December 1961) is an English composer, conductor, orchestrator, and music producer. He has composed music for video games, television and films including the Metal Gear series, Spy Game, Phone Booth, Man on Fire, The Chronicles of Narnia: The Lion, the Witch and the Wardrobe, Déjà Vu, X-Men Origins: Wolverine, The Martian, Antz, Chicken Run, the Shrek franchise, Sinbad: Legend of the Seven Seas, Flushed Away, Arthur Christmas, Early Man, and Catch-22. He is the older brother of composer Rupert Gregson-Williams. Kingdom of Heaven is a 2005 epic historical fiction drama film directed and produced by Ridley Scott and written by William Monahan. It stars Orlando Bloom, Eva Green, Ghassan Massoud, Jeremy Irons, David Thewlis, Brendan Gleeson, Edward Norton, Marton Csokas, Liam Neeson, Michael Sheen, Velibor Topić and Alexander Siddig. The story is set during the Crusades of the 12th century. A French village blacksmith goes to the aid of the Kingdom of Jerusalem in its defence against the Ayyubid Muslim Sultan, Saladin, who is fighting to claim back the city from the Christians; this leads to the Battle of Hattin. The screenplay is a heavily fictionalised portrayal of the life of Balian of Ibelin (ca. 1143–93). Filming took place in Ouarzazate, Morocco, where Scott had previously filmed Gladiator and Black Hawk Down, and in Spain, at the Loarre Castle(Huesca), Segovia, Ávila, Palma del Río, and Seville's Casa de Pilatos and Alcázar.[5][6] The film was released on May 6, 2005 by 20th Century Fox in North America and United Kingdom and by Warner Bros. Pictures in Germany and received mixed reviews upon theatrical release. It grossed $218 million worldwide. On 23 December 2005, Scott released a director's cut, which received critical acclaim, with many reviewers calling it the definitive version of the film. 
 
 Sir Ridley Scott (born 30 November 1937) is an English film director and producer. He has directed the science fiction horror film Alien (1979), the neo-noir dystopian film Blade Runner (1982), the road adventure film Thelma & Louise (1991), the historical drama film Gladiator (2000), the war film Black Hawk Down (2001), and the science fiction film The Martian (2015). Scott began his career as a television designer and director before moving into advertising, where he honed his filmmaking skills by making inventive mini-films for television commercials. His work is known for its atmospheric and highly concentrated visual style. Though his films range widely in setting and period, they frequently showcase memorable imagery of urban environments, spanning 2nd-century Rome (Gladiator), 12th-century Jerusalem (Kingdom of Heaven), Medieval England (Robin Hood), contemporary Mogadishu (Black Hawk Down), or the futuristic cityscapes of Blade Runner and distant planets in Alien, Alien: Covenant, Prometheus, and The Martian. Several of his films are also known for their strong female characters. In 2021, his films The Last Duel and House of Gucci were released. Scott has been nominated for three Academy Awards for Directing, which he received for Thelma & Louise, Gladiator and Black Hawk Down. Gladiator won the Academy Award for Best Picture, and he received a nomination in that category for the 2015 film The Martian. In 1995 both Scott and his brother Tony received a BAFTA for Outstanding British Contribution to Cinema. In 2003 he was knighted for services to the British film industry. In a 2004 BBC poll, Scott was ranked 10 on the list of most influential people in British culture. He received an honorary doctorate from the Royal College of Art in London in 2015 and the BAFTA Fellowship for lifetime achievement in 2018. 
 Source: Wikipedia

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:36 W x 72 H x 1.5 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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