VIEW IN MY ROOM
Italy
Painting, cement paste on Wood
Size: 31 W x 31 H x 3.5 D in
Ships in a Box
I lavori della serie “Lands ” giungono come in un viaggio a ritroso nel tempo, alla materia, allo stato naturale, grezzo, genetrice del movimento e di tutto ciò che è: presenza e assenza, ordine e caos. Materia che sembra contorcersi prima di esplodere dal muro verso l’interno della sala: un movimento sussultorio della crosta terrestre prima dell’esplosione e della nascita di una nuova realtà. Una sorta di onda sismica ispirata dalla stessa terra di origine: una terra che è sempre in bilico tra stabilità e instabilità, in cui non vi sono certezze , né fissità, ma un continuo evolversi tra alti e bassi che caratterizzano la stessa storia di questa terra con un movimento ondulatorio. le opere appaiono come microcosmi in miniatura o pezzi ingigantiti di “natura” o meglio di terra arata. L’estroflessione è resa con la vera e propria “costruzione” di un territorio scultoreo fatto di materia manipolata e forgiata e applicata sul supporto. Le opere diventano ora una fusione di scultura e pittura dove nessuna determina o assoggetta l’altra.
Painting:cement paste on Wood
Original:One-of-a-kind Artwork
Size:31 W x 31 H x 3.5 D in
Frame:White
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Italy.
Customs:Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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Marco Abbamondi was born in Naples on 7 June 1974. He began his artistic career in 1999 with hyper-realist works on canvas and wood that interpret the architecture of Naples, thus favouring his vocation clearly inspired by the city, its history and its cultural traditions. The aesthetic research transformed and evolved over the years in a ‘physical' relationship with the material, the object, and the elements to forge, manipulate, and mould. An insatiable instinct to "touch" and "feel" with his hands: a "tactile" and "sensitive" relationship with the material, which led him in the years to develop a special sensitivity to the transpiring, the eternal passage. The fragility of existence is now the predominant theme of the work, whether paintings or sculpture-installations, which seek to highlight the action that the world has on things. His inspiration derives from the surrounding environment: biomorphic shapes definitely mark his particular style. There appears to be a liaison between the material (wood, concrete, cork) and "natural" forms that inspire. The creativity is expressed through the manipulation: the fusion of material and concept.
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