VIEW IN MY ROOM
United States
Painting, Acrylic on Canvas
Size: 16 W x 20 H x 1.3 D in
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Another work from “Abstract Paintings: Geometry, Line, Distortion & Expansion”, "Layers and Directions" experiments with maintaining the integrity of the original design. As with its sister painting "Circles and Expansion", alternating shapes and planes create action and depth. This painting on canvas can be hung as-is or framed.
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:16 W x 20 H x 1.3 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Statement My intent is to create contemplative art. Examining process and perception is a major part of my practice. While striving for a strong visual aesthetic — focusing on structure, rhythm and nuance — I investigate concepts such as ambiguity, identity and duality. Use of graphics tools enhances and expedites my creative process. For instance, I often photograph works in progress, altering them in Photoshop to aid in decision-making. Architecture also plays a major role in my art. Space, structure and perspective are all key considerations during the development of my abstract work. Background Although I’ve lived in Connecticut for over 20 years I grew up in Philadelphia. My father was an architect, and his father an artist, whose portraits and other paintings filled our home. Entering Boston University as a piano performance major, I graduated in 1985 with a BA in art history and urban studies. I discovered graphic design through an elective course at BU. By taking the course multiple times I was able to build a portfolio, and secured my first post-college job at The Philadelphia Museum of Art. I was a graphic designer for over 20 years. Part of my expertise was color accuracy, especially when reproducing Museum art. This sensitivity to nuance is an important part of my art. When I first started to paint in the 90s my focus was portraiture. My aim was to connect, interpret and reveal. In order to control the narrative I stylized my portraits. areas were flattened and simplified; color was controlled and limited. Single works gave way to thematic series. In 2015 I turned to abstraction, continuing to apply many of the concepts, strategies and techniques I had developed in portraiture. Abstraction provides freedom from constraints of visual reference and depiction. In this realm I am able to more directly implement graphic applications. My work has been in several exhibitions and is in numerous private collections.
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