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Le repas des frères Painting

Sylvie Roussel Méric

France

Painting, Peintureàl'huile on Wood

Size: 27.6 W x 19.7 H x 2 D in

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About The Artwork

J'ai commencé ce tableau en 2013, en même temps que la fille au short rouge. Je travaillais en même temps sur plusieurs tableaux. Il a été très long à aboutir, il ma demandé beaucoup d'engagement et de patience, c'est un travail minutieux pour donner aux éléments leur ton et leur matérialité, la peau, le tissus, la terre, les objets. La technique : J’ai travaillé à la manière des Maîtres flamands du 15ème siècle, c’est-à dire sur bois enduit de plâtre avec des médiums faits maison suivant des recettes retrouvées de l’époque. Je peins en glacis, la 1ère couche est opaque, ensuite toutes les autres sont de plus en plus transparente ; c’est ce qui rend la lumière si profonde et puissante, car elle traverse des surfaces transparentes et colorées. J'aime J'aime l'idée de lier la technique picturale du Nord de l'Europe du VX ème siècle au monde Africain. Les circonstances autour du sujet : La photo qui a servi de support pour ce tableau a été prise au Burkina Faso, par une amie qui a travaillé bénévolement comme sage-femme. Elle m'a offert donné le droit d'utiliser cette photo en échange d'un dessin. Ce repas dans la pénombre d'une case colorée par la lumière ocre nous renvoie à un instant de repos et d'intimité. Rien n'est dit, tout se comprend, chacun mange côte à côte mais sans échange de regard ou de parole; juste le besoin de satisfaire sa faim dans la simplicité de la fratrie. Lorsqu'on sait la difficulté pour se nourrir dans certains pays d'Afrique, ce tableau est un espoir pour les générations futures.

Details & Dimensions

Painting:Peintureàl'huile on Wood

Original:One-of-a-kind Artwork

Size:27.6 W x 19.7 H x 2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I was born in Nîmes in 1966 and my studio is located between Uzès and Nîmes, in the South of France. Coming from a family environment where art was not the usual path, I was encouraged at a very young age by a professional painter, which was decisive for me as I favored this mode of expression. Although I did not pursue classical art studies, I taught myself many techniques and studied the technique of the Flemish Primitives for 7 years, during which I created reproductions of paintings from the 15th and 16th centuries (Van Eyck, Van der Goes, and Bruegel). The techniques of the Flemish Masters of the 15th century inspire me to create timeless works, the successive glazes allowing light to penetrate the paint layers and intensify the colors that I call "color of light". In 2012, during an exhibition, I was awarded a gold medal for two pastels by the Fine Arts of Béziers. I have been presenting my work in my region regularly at collective and solo exhibitions since 2013. In parallel, I have been teaching drawing and painting to adults for 19 years in my studio. I work on several themes depending on my inspiration: the faces of the world, bullfighting, landscapes, and recently still life. In the representation of the human figure, my artistic practice is inspired by exoticism. Over the years, I have explored different cultures, from New Caledonia to Morocco and Africa, to feed my imagination. I seek to convey emotion, beauty, and light through my works, the beauty of faces, subtle-colored skins, the majesty of attitudes, a natural presence fascinates me. I appropriate images to reinterpret them with my imagination and sensitivity, seeking to capture the "soul-abyss", what one consents to show of oneself and what one unconsciously reveals. I saw my first bullfight as a child in Nîmes and I kept the memory of a spectacular world, a tragic theater, a colorful spectacle. The dramatic and aesthetic energy that emanates from the fight fascinates me. The tamed fear of the bullfighters, their gaze touches and challenges me. The fatal outcome of the bullfight only serves to sublimate this death in the arena, since it is never certain for whom it will occur. I seek to express the pure emotional force that emanates from bullfighting. I want my works to pay tribute to these men of light, ready to give their lives in such a unique battle. The theme of landscapes is strongly linked to my roots, my childhood, and my place of life.

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