VIEW IN MY ROOM
Spain
Painting, Oil on Soft (yarn, Cotton, Fabric)
Size: 16 W x 26.5 H x 1 D in
Ships in a Box
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Featured in the Catalog
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This is part of a series called 'Mad To Live'. This work explores how traditional painting materials, such as oil paint, can be used with traditional textile techniques, such as patchwork, applique and embroidery. The artwork has many layers. It has initially been constructed from vintage fabrics that were salvaged from an old textile factory in Barcelona, patching various textiles together to create a 'canvas'. Text has then been stitched onto the canvas before working back into it with oil paints before finally adding another layer of text using applique. The artwork is stretched onto a frame with a wooden support and comes ready to hang.
Painting:Oil on Soft (yarn, Cotton, Fabric)
Original:One-of-a-kind Artwork
Size:16 W x 26.5 H x 1 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Spain.
Customs:Shipments from Spain may experience delays due to country's regulations for exporting valuable artworks.
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Spain
Aby Mackie is a Barcelona-based artist whose wall-based sculptures are unified through a materials-led methodology combining storytelling and social commentary. Recurring themes can be identified as materialism, consumerism, value and memory. Each series investigates the interconnectedness of these themes through the language of materials. Often in Barcelona, the contents of entire homes are either thrown onto the streets or auctioned off at Encants Vells market. The creation of Mackie’s work is driven by the selection and repurposing of objects and textiles from these two practices in order to explore ongoing cultural concerns. This roots Mackie’s artistic process in the everyday existence of the unrecognised, uncelebrated, unknown lives of Barcelona’s residents. Mackie is captivated by the unobvious silent material witnesses to a life lived; a worn bed sheet, a stained tablecloth, a moth-eaten gown. Such artefacts bare the marks and physicality of human nature, possessing a poetic power. They are simultaneously valuable in their uniqueness and worthless in their deteriorated, decontextualized state. Each piece created from these objects is therefore both the artist’s personal expression of the hidden memories embedded in the original items, and a way to explore the recycling and re-contextualising of meaning and value in contemporary society. The experience and memories of others, imagined and real, fuse seamlessly with Mackie’s own through the salvation, destruction and discordant juxtaposition of materials. A rich mix of influences can be seen through Mackie’s work in terms of concept, techniques, materials, subject matter and aesthetic sense, inviting the viewer to create their own connections and interpretations and encouraging personal storytelling through materiality.
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