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Magical places 4 Painting

Linda Coppens

Spain

Painting, acrylics and water based media on wooden panel

Size: 11.8 W x 11.8 H x 0.4 D in

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About The Artwork

Technique: acrylics and water based media on wooden panel Sides: not painted, traces of the painting process visible Finish: Sealed and varnished Signature: on the back. Signature on the front on request. Signed Certificate of Authenticity Frame: Unframed, needs to be framed. This painting takes you on a journey to physical or imaginary magical places. The areas of thick opaque burgundy color sometimes take the foreplan and sometimes reside in the background. It contrasts nicely with the complex areas containing vivid oranges, yellows and reds. This painting is part of the Shoshin series, is inspired by the concept in Zen Buddhism known as Shoshin, which means “beginner’s mind”. It refers to the idea of letting go of your preconceptions and having an attitude of openness when studying a subject.

Details & Dimensions

Painting:acrylics and water based media on wooden panel

Original:One-of-a-kind Artwork

Size:11.8 W x 11.8 H x 0.4 D in

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Linda Coppens is a Belgian contemporary abstract painter. From an early age she demonstrated an innate artistic talent but could not pursue an art education at that time, instead she earned a Master in Psychology. But her interest in art remained and about twenty years later she pursued an art education at the Academy of Visual Arts in Liedekerke, Belgium. In 2020, she moved to Torrevieja, Spain, where she currently resides. In her colourful paintings she mobilizes colour, texture and gestural mark making as a structure for the creation of abstract compositions to evoke a sense of emotional balance in the viewer. Linda Coppens has exhibited extensively in Belgium, US, France and Luxembourg. Her art is found in many private collections worldwide. Using a mix of mediums that includes acrylic paint, oil and cold wax, I layer my mediums using non-traditional tools and techniques. My inspirations include the unexpected feelings and thoughts generated by poetry; the weather worn surfaces of derelict urban buildings; and the vibrant and bountiful visual world of nature. In order to evoke the various realms of human experience that inspire me, I surrender to process, allowing my paintings to manifest slowly according to their own rhythm and internal logic rather than planning my compositions in advance. Time is also an essential element in my work, as the numerous layers of paint can be read as records of the history of their own making.

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