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Maya Painting

Uma Ramakrishnan

India

Painting, Oil on Canvas

Size: 85.8 W x 48.6 H x 3 D in

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About The Artwork

CONCEPT: 'Maya' (Illusion) arose out of the need to find out what lies beyond the footprints of my favourite Indian classical dance form 'Bharatanatyam'. HOW THE CONCEPT UNFOLDED: I got my friend’s 12 year old daughter, who is an exponent of the dance, to perform on my canvas with paint on her feet, which I kept applying till the dance was complete. Once done, I put up the canvas on the wall and started looking at it. Figures started to show up. It was like searching for forms on a cloud, now there, now gone! If you look at the painting carefully, you will see dancing figures sometimes facing one side and then the other. When the canvas was almost done, I discovered that there was a huge dreamer across the canvas resting on a 'mridangum'* and I set about bringing out that figure. And I figured that's me of course! – The Dreamer. The dreamer’s one eye is open and seeing whereas the other eye is closed and dreaming. After about two and a half years of total involvement with the canvas, it was complete and it was then that I decided to call it Maya after the little girl's name as it fitted the painting perfectly. This Dance of Life, 'Maya' or illusion, is like the play of the supreme often referred to as 'lila' in the Indian Scriptures. I hope the viewers’ get immersed in the painting, and each time they look at it they see something more. That my canvas is a theatre they come home to every day to see a performance. Dedicated to my friends’ lovely daughter Maya *Percussion Instrument

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:85.8 W x 48.6 H x 3 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

BIRTH PLACE & INFLUENCE I was born in Chennai which was then called Madras and brought up in Bombay, now Mumbai. All the diverse cultures in India come together in Mumbai and I grew up in that mixed culture absorbing the essence of ‘Indian-ness’, whether it is in the clothes I wear or the language I speak or the designs I create. I call it the fusion culture and it is reflected in my art. In Mumbai, the over-crowded city, I could see how different cultures co-existed and complimented each other. In my art too styles co-exist. Though there will always be an underlying similarity in my art, I leave that part to the discerning eye of art lovers to explore and discover. STATEMENT My works are about my experiences in life and my interpretation of it, be it a dream, a thought or even words and phrases. I can resort to experiments too to satisfy my curious mind. Some of my subjects are elements of nature, the sea, relationships like parent and child, self-portrait, interpretations of my dreams, dance forms, stones, war, emotions etc. My subjects border on the philosophical and at times touch the spiritual. I vary my style to suit the topic. If need be, I switch to abstract too as I love the intrigue that abstracts afford. I do not use any visual references for my concept based art. It comes from deep within or from my own doodles. For Landscapes, I either sketch on the spot or make use of my own photographs of the place. When I paint, I am deeply lost, engrossed, in thought and one with the subject. I paint alone in the peace and silence of my home cum studio. I like my audiences to interpret my art in their own way and tell me what they see and feel in it. I love it if the viewer is drawn deep into the work and sees something more each time. My favourite historical artists are Vincent Van Gogh and Salvador Dali. I have been asked by some if I draw my Inspiration from Chagall and there are those who think there is an influence of Wassily Kandinsky. But I personally have no take on that. I leave it to my audiences to decide. As for myself, once I have the subject in mind, my hands automatically move in tune with the thought and that’s all that matters to me. POETRY Sometimes, inspired by the paintings, I write poetry too, often as explanations to the artwork. MEDIUM & MATERIALS Experimenting with medium and materials is always exciting for me and so is the mixing of two mediums in one canvas.

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