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Mesa Green Painting

Andrew Fearnside

United States

Painting, Acrylic on Wood

Size: 8 W x 8 H x 2.5 D in

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About The Artwork

Dragging straw through plaster. Smoothing it with a trowel. Cutting into it as it gets leathery, like a plow through hardpack. I build the ground of each painting by working plaster over wood, always mindful of the feel of the material and the tools in my hands, attendant on the way the marks feel in my belly, in my stance. Sooner or later an image gels as the plaster dries. After sealing the plaster, I continue to feel my way through the work, developing a relationship with the image the plaster-drawing suggested. In this painting, it took a while to understand that the heavy striations in the upper middle edge were behind the rough textures of the middle left, as if planes of rocks were stacked up against one another, pressing into the plane of the painting's surface. Having found that, intuition could shift the reigns to reason--mostly--and the painting neared completion. I live in the high desert of New Mexico, in the valley of the Rio Grande. We are bounded here by tall, dry rock on both sides--a mesa to the west, and the Sandia Mountains to the east. The mesa lifts up above the green valley, sometimes looming, sometimes sheltering, always holding a mystery in the distance. In this painting I chose to peek above the soft green of cottonwood leaves and adorn the distant mesa with jewel-like beaded marks.

Details & Dimensions

Painting:Acrylic on Wood

Original:One-of-a-kind Artwork

Size:8 W x 8 H x 2.5 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I make art that connects. Art that connects us to place. To shared heritage. To our bodies, to our present moment, and to our practices of contemplation and community. My work is centered in creative practice--an extension of contemplative practice. I draw inspiration from a big well: from the land, from relationships in community, and from the increasingly connected international world of post-minimalist, process-oriented painting. I think of myself as a kind of activist--a soul worker, let’s say. Vision is my job. As artists, it’s our job to gestate new vision, birth it, and nurture it, introducing it to our communities and letting it change into the needful thing, over and over again. I take this on because I believe we need new vision--that we always do, in fact. I take this on as the best thing I am fitted to, the most frighteningly wonderful thing I can imagine, the best use of my impermanent life. We’re remodelling our understanding of our relationships to ourselves, to our communities, to our global culture, and to the earth itself. We’re retrofitting our culture, because retrofitting is the least violent, the least wasteful, and the most living way to approach the redesign of the human structures we live within. I'm a New Englander living in New Mexico. Grew up stretched between Boston Brahmins and the New Hampshire woods. Studies in philosophy and psychology, especially yoga and meditation, from late adolescence. Studied, choreographed and performed Butoh, contact improvisation, and other forms of postmodern dance. Embodiment and presence form the cornerstones of my creative practice.

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