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Mexico
Painting, Oil on Canvas
Size: 22 W x 32.2 H x 1 D in
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El tríptico busca funcionar como una trinidad tétrica del poder, hace uso de iconografía sacra con las aureolas y la persignación de las figuras laterales mientras los magos al centro construyen una estructura imaginaria como puente entre el abismo. Las figuras del Hambre y la Muerte representan la capacidad dúctil de transformar tales atributos en elementos simbólicos de dominación en calidad de un capital psicológico que el discurso del poder fáctico en turno moldeará bajo sus intereses, pues a lo largo de la historia permanecen inmutables mientras por fuera se transforman siendo el hambre actualmente el representante de la escasez artificial, el goce maquilado y el deseo frívolo y voraz institucionalizados en la sociedad de consumo, la muerte a su vez resignificándose bajo la inercia del escenario que lo solicita, siendo a veces vía de expiación, elemento de sacrificio por el bien de la patria, o ente maligno que redobla con la sugestión de su presencia los esfuerzos del hedonismo por maquillar y edulcorar el escenodrama de la realidad para ocultarla, por otro lado, la magia es el tejido ilusorio del discurso dominante, piedra angular del dogma ficcional en turno, fundamento de la arquitectura de la realidad.
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:22 W x 32.2 H x 1 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Mexico.
Customs:Shipments from Mexico may experience delays due to country's regulations for exporting valuable artworks.
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I am Elías Pinto Casanova from Mexico. My first intention was to be an illustrator, but I turned towards the plastic arts when I realized the discursive possibilities and the freedom they offer to transmit an idea with all the subjective nuance oriented towards expressive purposes. I am convinced that art is poetry applied to different disciplines, both of time and space, since its purpose is to make ideas attractive to the senses and at the same time they collect the feeling of a historical moment, therefore they are a chronicle of the subjectivity of an era, integral social heritage of humanity as it consciously or unconsciously collects the contributions of philosophy and science, forming a kind of trinitarian pillar of the material-intellectual progress of the species. For this reason, I seek to capture from a mythical-poetic perspective the phenomena and events of my time, to translate visually supported by figuration and geometric abstraction to enhance suggestion, and that is why through this combinatorial capacity I address the possibilities of an idea in pictorial series. With the hybridization of tradition and avant-garde that reinterprets the past and interprets its present as a letter, as a chronicle or inspiration for the future.
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