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'No longer sees it with her sleeping eyes' Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 30 W x 24 H x 0.2 D in

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About The Artwork

I know she said it's alright You can make it up next time I know she knows it's not right There ain't no use in lying Maybe she thinks I know something Maybe maybe she thinks it's fine Maybe she knows something I don't I'm so, I'm so tired, I'm so tired of trying It seems to me that maybe It pretty much always means no So don't tell me you might just let it go And often times we're lazy It seems to stand in my way 'Cause no one no not no one Likes to be let down I know she loves the sunrise No longer sees it with her sleeping eyes and I know that when she said she's gonna try Well it might not work because of other ties and I know she usually has some other ties and I wouldn't wanna break 'em, nah, I wouldn't wanna break 'em Maybe she'll help me to untie this but Until then, well, I'm gonna have to lie to her It seems to me that maybe It pretty much always means no So don't tell me you might just let it go The harder that you try baby, the further you'll fall Even with all the money in the whole wide world Please please please don't pass me Please please please don't pass me Please please please don't pass me by Everything you know about me now baby you gonna have to change You goin' to call it by a brand new name Please please please don't drag me Please please please don't drag me Please please please don't drag me down Just like your tree down by the water baby I shall not move Even after all those silly things you do Please please please don't drag me Please please please don't drag me Please please please don't drag me down ‘Flake’ by Jack Johnson Songwriter: Jack Johnson "Flake" is a song written and performed by American singer-songwriter Jack Johnson. It is Johnson's debut single and was released as the only single from his first album, Brushfire Fairytales (2001). "Flake" features Ben Harper on Weissenborn slide guitar and Tommy Jordan on steel drums. "Flake" was a minor success for Johnson in the United States, becoming his first entry on the US Billboard Hot 100 at number 73 and peaking at number one on the Billboard Adult Alternative Songs chart. It was a success in New Zealand, reaching number six and becoming the sixth-highest-selling song of 2003. It remains Johnson's sole top-10 hit and his most successful single there. "Flake" has become a popular song in Johnson's live performances and still garners radio airplay. Brushfire Fairytales is the debut album by singer-songwriter Jack Johnson. It was released in 2001 through Enjoy Records, a label that was later renamed Everloving Recordings. The album's primary musicians are Johnson (vocals/guitars/piano), Adam Topol (drums/percussion) and Merlo Podlewski (bass). It was produced by J. P. Plunier, recorded and mixed by Todd Burke, with assistant engineers Andrew Alekel & Chad Essig. It was recorded near Hollywood and Vine just north of 6400 Sunset at 1520 N Cahuenga in Los Angeles at Grandmaster Recorders (formerly Bijou Studios in Hollywood), King Sound, and mastered by Dave Collins. Guests include Tommy Jordan (steel drums on "Flake") and Ben Harper (slide guitar on "Flake"). The single "Flake" was Jack Johnson's first. Jack Hody Johnson (born May 18, 1975) is an American singer-songwriter, multi-instrumentalist, actor, record producer, documentary filmmaker and former professional surfer. Johnson is known primarily for his work in the soft rock and acoustic pop genres. In 2001, he achieved commercial success after the release of his debut album, Brushfire Fairytales. Johnson has reached number one on the Billboard200 chart with his albums Sing-A-Longs and Lullabies for the Film Curious George in 2006, Sleep Through the Static in 2008, To the Sea in 2010 and From Here to Now to You in 2013. His album In Between Dreams peaked at number two on the chart in 2005 and again in 2013. Johnson is active in environmentalism and sustainability, often with a focus on the world's oceans. Johnson and his wife Kim created the Johnson Ohana Charitable Foundation and the Kōkua Hawaii Foundation. In 2008, Johnson adopted the concept of greening (reduce and reuse), and donated 100% of the proceeds of the Sleep Through the Static tour to the Johnson Ohana Charitable Foundation. Similarly, the proceeds from the 2010 To the Sea album tour went to All at Once, a Johnson-backed collaboration of greening charities promoting fan involvement. Source: Wikipedia

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:30 W x 24 H x 0.2 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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