VIEW IN MY ROOM
Canada
Painting, Acrylic on Canvas
Size: 20 W x 16 H x 0.8 D in
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From ancient times, the raven and salmon's presence and imagery are integral to Vancouver Island, on the west coast of Canada, where I live. They are intimately linked to the first peoples' cultures, but also are powerful symbols from my European ancestors as well. I made this painting in response to the forest fires that rage through the forests of my province every summer. I imagined these two natural enemies desperately clinging to each other as their habitat is diminished by human expansion, fishing, logging and the brutal forces of nature itself. It reminded me of Ragnarok; the end of the world in Norse mythology. I wrote this poem to accompany the painting: Two ravens (Odin’s eyes and ears). One perished in humanity’s maelstrom the other, now broken and blind. Odin’s Raven clutches the Rhinegold. She cannot tell him the hills, they are moving, alive – no, they are afire, like Brunhilde’s prison. The Norn predicted. The Norn spun our illusions, wove our fates Weft our deeds. Warp our undeeds Their weaving says: “The mighty will fall The gods will die Valhalla will empty of warriors, they and their battlefield deeds like the blood they shed will soak into the earth the burning earth.” And Odin’s Raven clutches the Rhinegold. The Rhinemaidens enslaved long ago, their river poisoned and damned. And Odin’s Raven clutches the Rhinegold. The salmon, containing countless pearls, the salmon, the Rhinegold, the Grail that holds the holiest of holies. life itself.
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:20 W x 16 H x 0.8 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Canada.
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Canada
Colleen Kerr creates symbolic narrative with a poetic interpretation of the natural world in her art. Sometimes nature is represented in part or whole, or as an implied presence that references human context. We often hold ourselves separate from “nature.” The history of humanity tells a long, often troubled relationship between humans and nature: fearing, embracing, rejecting, surviving, negotiating, and trying to control it. No matter what technologies we invent and where our brains take us, the natural world is inescapable as long as we inhabit these bodies. We are animals, part of nature, yet we have an insatiable need to question how and why, as evidenced by our stories, science, philosophy and art. Colleen writes, "Perhaps I am part of a collective unconsciousness or a huge neural network. I know for certain all life is interconnected. Whether we like it or not, all human beings are related". She offers points of connection in her work, perhaps to resonate with others’ psyches. Thus she makes art that invites the viewer to interpret and explore on their own terms, and find their own relationship with nature, the world and themselves.
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