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This furious beast features mixed media gestural abstraction, hand-scraped line work - literally cut through the paint and into the support, revealing the natural pigment of the board - and a geometric structure, creating a sense of deep power and a kind of primal vitality. The use of red and black further grounds the work in the deepest, most animalistic, parts of our psyche, while the lifting, curving white and blue reminds us of the higher angels of our nature.
This furious beast features mixed media gestural abstraction, hand-scraped line work - literally cut through the paint and into the support, revealing the natural pigment of the board - and a geometric structure, creating a sense of deep power and a kind of primal vitality. The use of red and black further grounds the work in the deepest, most animalistic, parts of our psyche, while the lifting, curving white and blue reminds us of the higher angels of our nature.
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Rumble/Rubble Painting

Ashton Phillips

United States

Painting, Acrylic on Other

Size: 24 W x 30 H x 2 D in

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SOLD
Originally listed for $900
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About The Artwork

This furious beast features mixed media gestural abstraction, hand-scraped line work - literally cut through the paint and into the support, revealing the natural pigment of the board - and a geometric structure, creating a sense of deep power and a kind of primal vitality. The use of red and black further grounds the work in the deepest, most animalistic, parts of our psyche, while the lifting, curving white and blue reminds us of the higher angels of our nature.

Details & Dimensions

Painting:Acrylic on Other

Original:One-of-a-kind Artwork

Size:24 W x 30 H x 2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Ashton S. Phillips is an interdisciplinary artist based in Los Angeles, CA, working directly with the earth, water, pollution, taboo, and repair as primary materials. He is interested in the wisdom hidden within the material environment, including our physical bodies, and in the promise of queer ecological praxis, interspecies collaboration, and experimental “play” as pathways for making meaning and sustainable being in the late Anthropocene. www.ashtonsphillips.com

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