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Saint Medusina Painting

Aine Corr

United Kingdom

Painting, Watercolor on Paper

Size: 19.6 W x 25.5 H x 0.1 D in

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About The Artwork

Ornate natural forms grow from and envelop Saint Medusina. The title for this piece was inspired by one of Ersnt Haeckel’s intricate scientific illustrations of Plankton. It also references Medusa from Greek mythology. Her face is deliberately generic and stylised in homage to depictions of female saints throughout the ages. A verdant colour palette of blue, green and yellow has been used. ‘Saint Medusina’ is one from the series 'Saints of Natural Science'. Where I've explored my fascination with Catholic iconography, medieval art, patterns found in the natural world. I've invented and reimagined my own devotional figures. The viewer is invited to project their own ideas of what miraculous feats she can perform? A variety of water soluble media have been used - watercolour, ink, water-based pigment marker, highly pigmented inktense blocks/pencils, acrylic, gouache. Starting with light/transparent sketches with ink/pencil. Then subsequent washes with watercolour/ink, progressing to carefully applied layers of strongly pigmented paint in some areas. Overlaying paint results in concentrated, lively colour. 50 x 65 cm/19.6 x 25.5 inches - mixed media painting on heavy weight, acid free Hahnmuhle paper.

Details & Dimensions

Painting:Watercolor on Paper

Original:One-of-a-kind Artwork

Size:19.6 W x 25.5 H x 0.1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Aine is an experimental painter, based in the UK. She uses a variety of media - often within a single piece of work - including collage, ink, watercolour, spray paint and acrylic. She delights in using an abundance of intense, saturated hues. She is interested in the symbolic and expressive power of colour. Bold combinations create a sense of liveliness and humour. While her subject matter is often morbid, strange and unsettling, her intention with these pieces is always to conjure joy, surprise and hope through her use of colour. Her artwork is predominately figurative, fantastical and exuberant. Blending recognisable elements in unexpected, incongruous ways. She has a magpie eye collecting visual delights, oddities and wonders from historical sources, ecclesiastical art, mythology, decorative pattern, folk art, science, nature and landscape. She reinterprets these visual sources to her help communicate human experience; devotion, sacrifice, faith, suffering and hope. By connecting with the mysterious and reinterpreting the past, her work escapes the reality of modern life. Woven throughout are universal themes such as memory, love, loss, legacy and mortality. Compositions are often surreal and dreamlike. The significant sentiment behind her creative process is ‘Baroque’; due to the lush, rich, dramatic, spectacular, emotional, exuberant, spiritual, exaggerated, and highly decorated elements. Some of her paintings are autobiographical, exploring family legacy, identity and a sense of place. She is heavily influenced by her Irish Catholic heritage/DNA, and by her county of residence, celebrating her status as a proud Essex girl. Early exposure to kitsch prints of protective saints, gory depictions of the crucifixion, statues of the Virgin Mary, pilgrimage souvenirs and prayer cards in her childhood home have left lasting impressions. She has BA Hons Fine Art Painting, from Brighton University (2002) and a PGCE to teach Art and Design. Her paintings have been exhibited in the South East, England. With commissions travelling to far flung locations such as Australia and Sweden.

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