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Stations Of The Cross (VIII) feat. The Maggot Of Destiny : 'And He Wandereth Without Aim Or Passion' Painting

Michael Hayter

United Kingdom

Painting, Oil on Canvas

Size: 11.8 W x 11.8 H x 2 D in

This artwork is not for sale.
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About The Artwork

The eighth image in my version of Stations of The Cross refers to the biblical story of Christ going out into the wilderness alone to face his demons (in symbolic terms, the Devil). This is not usually portrayed in the christian Stations of The Cross, but in my version I like to think of the stations perhaps depicting Christ`s internal world - memories and reflections on his past, as he heads towards his inevitable end. Here, Christ is wandering in the desert, and wherever he walks the images of demons and wild creatures of the forest appear, paving the way - symbolising his inability to escape those darker parts of himself - and Satan is his shadow. Interestingly, as I painted these demonic faces I was aware of them becoming more and more akin to the image of the 'green man' - a symbol of man's deeper connection with Nature and his primitive erotic self. It got me thinking about Blake's view that Satan was not evil at all - just a christian symbol of oppressed sexual and erotic energy. However, these images came from remembering the many depictions of the torment of Saint Anthony in so many Renaissance paintings. The giant maggot appeared later in the painting. At first I was unsure as to its place there, but on reflection I realised that the maggot is, on the one hand, a symbol of decay, but on the other, a signifier of life springing from death - a symbol of resurrection and transformation. Although currently not for sale, this painting will be available once the series is finished.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:11.8 W x 11.8 H x 2 D in

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"Although I state that much of my work stems from the imagery thrown up by depression, I would say that it is also the imagery of unconscious connection.Indeed the two are irrevocably entwined. It is no accident that the appearance of animal symbols and the use of bodily products such as hair, urine and blood is also influenced by my former work as a veterinary surgeon. Some time spent in psychoanalysis has helped me to illuminate these connections to find a personal mythology, which I believe connects to a universal meaning of what it is to be human. The `otherness` of animals, their power, vulnerability, unselfconsciousness and instinctual drives, and their relationship with us, are potent symbols of qualities we also have - qualities which we struggle with in our attempts to remain in control of ourselves and our society. It is where these tensions meet that my work is situated." Studio: Sculpture Shed, Spike Island, 133, Cumberland Road, Bristol, BS1 6UX. Tel: (0117) 929 2266; Email: michael.hayter@blueyonder.co.uk

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