VIEW IN MY ROOM
United States
Painting, Spray Paint on Soft (Yarn, Cotton, Fabric)
Size: 12 W x 18 H x 1.5 D in
Ships in a Box
Artist Recognition
Featured in Rising Stars
Artist featured in a collection
www.artbycarney.com The focus of my practice explores balance through illusion and deception, creating relationships of image-based representation to tangible, sculptural objects. Often the perceptual and physical space of painting collides through the use of non-traditional materials and interruption of the painted plane. Image becomes object and vice-versa. The image is now digested by the masses not as a photo of something else, but as an entity all to itself. The images produced, and now disseminated across endless technological landscapes have found a life of their own; in turn putting in to question the current authority in which the object itself holds. This makes me think of a Christina Rosen quote, “It is understandable why so many have been so jealous of the image’s influence. Sight is our most powerful sense, much more dominant in translating experience than taste, touch, or hearing. And images appeal to emotion — often viscerally so. They claim our attention without uttering a word. They can persuade, repel, or charm us. They can be absorbed instantly and easily by anyone who can see. They seem to speak for themselves.” In today’s world, deciphering the difference between looking and seeing is a certain shade of grey that doesn’t lend it self to a culture of immediacy. Using the dichotomy of art with craft and design, benign images and forms are used as points of inquiry. The digestible still life, botanicals, portraits and carpentry are so familiar that their very existence is wallpaper worthy; as to say their histories are camouflaged in to the mundanity of every day life. Yet, the relationship of skin with bones transgresses the consumable surface. The isolated image or object then comes to life in its illusion. An illusion that is less about it’s opticality and more about referencing reality versus observed reality. As if one were to view the world through a piece of saran wrap.
Original Created:2014
Subjects:Botanic
Materials:Soft (Yarn, Cotton, Fabric)
Mediums:Spray PaintAcrylic
Painting:Spray Paint on Soft (Yarn, Cotton, Fabric)
Original:One-of-a-kind Artwork
Size:12 W x 18 H x 1.5 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
Have additional questions?
Please visit our help section or contact us.
United States
email: carney.mikej@gmail.com www.artbycarney.com The focus of my practice explores balance through illusion and deception, creating relationships of image-based representation to tangible, sculptural objects. Often the perceptual and physical space of painting collides through the use of non-traditional materials and interruption of the painted plane. Image becomes object and vice-versa. The image is now digested by the masses not as a photo of something else, but as an entity all to itself. The images produced, and now disseminated across endless technological landscapes, have found a life of their own; in turn putting in to question the current authority in which the object itself holds. The digestible still life, botanicals, portraits, pottery and carpentry are so familiar that their very existence is wallpaper worthy. Yet, the relationship of skin with bones transgresses the consumable surface. The isolated image or object then comes further to life with its illusion. An illusion that is less about its pure opticality and more of a reference to reality versus its observed reality. As if one were to view the world through a piece of saran wrap. In 2014, Mike received a Masters of Fine Arts from the School of the Art Institute of Chicago, where for two years he was a Helen Russell Memorial Scholar. Upon completion of his graduate studies, he received a Municipal Art League Fellowship from the city of Chicago. Mike has been the subject of features in Juxtapoz Magazine, New American Paintings, Studio Visit Magazine and with Saatchi Art. His work has been exhibited in numerous galleries in the United States including the Erin Cluley Gallery in Dallas, Copro Gallery in Los Angeles and various galleries in Chicago, San Francisco and Minneapolis. His work appears in many collections, including the Jiminez-Colon Collection.
Handpicked by Saatchi Art's Chief Curator for our most prestigious feature, Rising Stars
Artist featured by Saatchi Art in a collection
Thousands Of Five-Star Reviews
We deliver world-class customer service to all of our art buyers.
Global Selection
Explore an unparalleled artwork selection by artists from around the world.
Satisfaction Guaranteed
Our 14-day satisfaction guarantee allows you to buy with confidence.
Support An Artist With Every Purchase
We pay our artists more on every sale than other galleries.
Need More Help?