VIEW IN MY ROOM
United Kingdom
Painting, Acrylic on Canvas
Size: 41.3 W x 72.4 H x 2.2 D in
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There was a large hedge in the garden of family friends when I was a child, and this hedge separated the safety of the garden from the unknown, uncontrollable world outside. This painting started life as the depiction of a huge, dark vagina obscured by a mass of black pubic hair (not a million miles from Courbet`s `The Origin of The World` in sensibility), but as I worked and reflected on it, this childhood memory came to me. The poor young dead creature that lies pathetically at the base of the tree/bush has not died in vain but now acts to fertilise, by its rotting remains, the growth of the plant. However, the blackness of the creature is carried on into the blackness of the leaves in a process of regeneration and `inheritance` - in this way the blackness cannot be escaped. The scene however is suffused (at least at the base of the plant) with warm pink light, suggesting life and `goodness`/nourishment, and an exotic bird perches upon the remains of the `infant`, again depicting goodness and life. This is about the regeneration of life and its balance of death and life, darkness and light. It is a dynamic and hopeful image, of the inevitability of this dynamism. (oil and acrylic on canvas
Original Created:2010
Subjects:Animal
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:41.3 W x 72.4 H x 2.2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
"Although I state that much of my work stems from the imagery thrown up by depression, I would say that it is also the imagery of unconscious connection.Indeed the two are irrevocably entwined. It is no accident that the appearance of animal symbols and the use of bodily products such as hair, urine and blood is also influenced by my former work as a veterinary surgeon. Some time spent in psychoanalysis has helped me to illuminate these connections to find a personal mythology, which I believe connects to a universal meaning of what it is to be human. The `otherness` of animals, their power, vulnerability, unselfconsciousness and instinctual drives, and their relationship with us, are potent symbols of qualities we also have - qualities which we struggle with in our attempts to remain in control of ourselves and our society. It is where these tensions meet that my work is situated." Studio: Sculpture Shed, Spike Island, 133, Cumberland Road, Bristol, BS1 6UX. Tel: (0117) 929 2266; Email: michael.hayter@blueyonder.co.uk
Artist featured by Saatchi Art in a collection
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