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Two Point Four Painting
United Kingdom
Painting, Acrylic on Canvas
Size: 94.5 W x 94.5 H x 3.9 D in
Ships in a Crate
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About The Artwork
Description: Two Point Four is the national statistical average for the amount of children that a typical family would raise in the UK that figure has some what changed recently but was applicable in the nineties. This image pokes fun at this demographic number and exemplifies it by repetition of its themes. This type of dwelling unitising a typical family is specifically constructed on large estates for the purpose of housing first time buyers acquiring affordable property. With its bland uniformity of minimal design and highly reduced lawns and driveways it is imaginable that it could bifurcate into cul-de-sacs infinitely in similar patterns to the bronchioles of the lungs stretching out in massive swathes across brown belt areas of Engla
Details & Dimensions
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:94.5 W x 94.5 H x 3.9 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
1972 Born Bournemouth Dorset1995 Shelley Park College of Art1999 Cheltenham University2009 Studio LeytonstoneCurrently live and work in London with painting studio in Leytonstone.Using particular sources such as photography and images scoured from the internet including 3d objects has allowed Paul Cummings to construct a fallacious realism by using advanced digital processes. The final images are then translated as a perfect facsimile into paintings. His work vacillates between reality and its virtual origins undecidedly never settling for one or the other. This fetishistic flattening of surface suppresses a neurotic anthropological undercurrent that is present within his works. His observations make a subtle pun on societal values but he also sublimates the banal in a precise rarified manner. His work and influences are a derivative of photo-realism and its concurrent movement hyper-realism.
www.polygondaydream.com www.paulcummingsart.com/blog/
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