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Corner left under and frame
Back ready to hang, work on linen on cardboard
Linking Worlds publication 2022
Linking Worlds project 2022
United (without wooden frame, an app presentation)
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United. Come on, come on, let's stick together Painting

Mieke Van Os

Netherlands

Painting, Acrylic on Soft (yarn, Cotton, Fabric)

Size: 11.7 W x 16.5 H x 0.7 D in

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About The Artwork

Now it's time that we stand together as one. With a love that fills our souls, to survive. Love is the answer, at least for most of the questions. It's not always easy and sometimes life can be deceiving, but, I will tell you one thing: we're better together. It's always better when we're together.Oh,yes. In a world of polarization, I hope that people have something to hold onto from those around them and that everyone makes the world less black and white and more grey. More nuances, more compassion, less judgment and condemnation. A world where we are more one with each other again. Imagine all the people Sharing all the world You You may say I'm a dreamer But I'm not the only one I hope someday you'll join us And the world will live as one [John Lennon] Publication: 'T is not too late to seek a newer world (2022, p. 45) [https://sites.google.com/view/linking-worlds/home] Inspired by music, the colors of Cobra, the late style of Richard Prince, Federico Herrero and the lines of Bram van de Velde. One of a kind, certificate, framed, neutral Barth-frame wood / aluminium, acrylic on linen on cardboard, signed MC front. [Diptych with Elves and Chihuahuas ]

Details & Dimensions

Painting:Acrylic on Soft (yarn, Cotton, Fabric)

Original:One-of-a-kind Artwork

Size:11.7 W x 16.5 H x 0.7 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Mieke van Os is a multidisciplinary artist with a focus on mixed media constructions. She is increasingly working with things she finds in her environment, also from a sustainability point of view. Remnants of a renovation, residual products of casting materials, pieces of stone or wood, strips of textile. It often results in a material treatment or solution that is not immediately obvious and thus gives individuality to her work. She is looking for an unconventional but traditional shape with a twist. She also looks for composition in her sculptures, the separation of surface and color, as she also does as a painter. A way of working to study form more carefully, visually explore the new topography and rediscover familiar materials. In her work she wants to express something intangible, an atmosphere, a feeling. Her sources of inspiration are very variable and versatile. Whether a work was made 500 years ago or now, she borrows elements from it to do something with it. Ideas also come from the production itself. The work often has a kind of rules and chaos at the same time. At first glance, her work is very diverse. On closer inspection, there is definitely a connecting line. An expression of how the mind reacts to things. Her motto is: “The horizon is infinite, it only knows a limit in ones head. Her goals are to further develop and explore her techniques and to experiment with (sustainable) materials, colors, shapes and sizes (!), in a combination of sculpture, painting, ceramics and textiles; she also wants to focus more on research in working with plant remains and other biomaterials.

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