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Until the sun shines on human miseries. Painting

Giorgio Valentini

Italy

Painting, Acrylic on Canvas

Size: 63 W x 31.5 H x 0.8 D in

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About The Artwork

Until the sun shines on human miseries. With this work I wanted to represent the human race that lives without there being a tomorrow. We are sentient animals of great ability and imagination, but also capable of immense disasters. We do everything to self-destruct and we are aware of it, but this is not enough to stop us, to reflect to try to back down, or to change the situation, hoping that there is still time for a change in a lifestyle that is no longer tolerable. At least as far as Western civilizations are concerned. But everything that has been going on lately seems to be not enough for a change of pace. We are very intelligent, but also very stupid. The human race will be responsible not only for itself but also for all the rest of living beings. The sun will shine for a long time with us or without us. The 160x80 work is made up of two pieces of 80x80 each. It is a mix of digital and acrylic on canvas.

Details & Dimensions

Multi-paneled Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:63 W x 31.5 H x 0.8 D in

Number of Panels:2

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born in Italy in Marche region,after many year of life in Milano. I attended the art high school and the Book art school in Urbino, with a cartoon focus. I worked in the Bozzetto studio as an animator, artistic director and director. I participated, as a character creator, in the film “Allegro Non Troppo”. I have collaborated on some Enzo D’Alò films in Lanterna Magica. Later I had my own production company. (Motusfilm) I have been an illustrator and author of children's books and the author of several animated short films awarded at various national and international festivals. I currently riturn to live in the Marche region .Here I work on portraits, and I paint personal interpretations of the human figure and portrait, two and three dimensional, with mixed techniques ranging from clay, digital, acrylic, photocopy, papier-mâché. Why the portraits? Because I'm curious about human nature. In the last exhibition I exhibited more than 50 plates of portraits of contemporary artists, where I not only show the face of the artist, but also his art that mixes and intertwines with my work, that is, I adapt to his style, and his style is adapted to my composition, sometimes even leaving out the verisimilitude, to give more space to what I perceive of that artist. From an early age I enjoyed drawing and coloring, and this propensity has never abandoned me, on the contrary it has been further increased by the artistic direction of the various schools I attended. In my works there is everything that I absorbed in the place of my childhood, that is: the masks, the carnival, the allegorical float, which were and still are a moment of happiness and joy and, especially my thirty-year profession as a cartoonist.

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