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A New Beginning Photograph

Christy Lee Rogers

United States

Photography, Color on Other

Size: 59 W x 72 H x 2 D in

This artwork is not for sale.
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1215 Views
4

About The Artwork

Archival Pigment Print | Underwater, Completely Non-Manipulated Photograph

Details & Dimensions

Photography:Color on Other

Original:One-of-a-kind Artwork

Size:59 W x 72 H x 2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Christy Lee Rogers is a visual artist from Kailua, Hawaii. Her obsession with water as a medium for breaking the conventions of contemporary photography has led to her work being compared to Baroque painting masters like Caravaggio. Boisterous in color and complexity, Rogers applies her cunning technique to a barrage of bodies submerged in water during the night, and creates her effects naturally in-camera using the refraction of light. Through a fragile process of experimentation, she builds elaborate scenes of coalesced colors and entangled bodies that exalt the human character as one of vigor and warmth, while also capturing the beauty and vulnerability of the tragic experience that is the human condition. Rogers’ works have been exhibited internationally and are held in private and public collections throughout the world. She has been featured in International Magazines, including Harper’s Bazaar Art China, Eyemazing, The Independent, Casa Vogue, Photo Technique and others. Rogers’ "Reckless Unbound" is currently housed at Longleat House in the UK; the stately home, which is the seat of the Marquesses of Bath and also home to Renaissance gems of the Italian masters, like Titan’s "Rest on the Flight into Egypt." The Independent, London - Jan 6, 2013 - Adam Jacques "The ethereal payoff is indeed redolent of a mix of Masters – the vivid hues of Titian, the straining bodies of Rubens, the sun-dappling chiaroscuro of Caravaggio, but also the loose brushstrokes and fluid movement of Delacroix; hints, too, of the Tiepolo-esque heavenly ascents adorning many an 18th-century Venetian chapel. Yet, for all these highfalutin qualities, Rogers' subjects were no gods, kings or mythical beasts, but rather her friends, whom she coaxed to writhe around in a local swimming pool – a simplicity that reflects both her method (the pictures are entirely undoctored) and the purity of Rogers' lifelong love of the water.”

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