G G - Son of the South - P R Photograph - Limited Edition of 1

I usually retract the concrete matter of the "third landscape" and its inhabitants, in order to document the iron, the rust, the cement, the urban shape that breaks down. My intent is not to denounce the degradation of some industrial areas waiting for the rezoning: the photographic act seeks rather to "read" those suspended places and heterotopias. If history can't rehabilitate their original function, the danger is to contemplate them as mausoleums, like an aesthetic sublimation of the necropolis of fatigue. Instead one could consider the hidden life in the apparent stasis, developing a lexicon of images that will take into account the mutability of every place. Recently, I have furthermore attempted to question the documentary approach in landscaping. In front of the omnipresence of images, I try to disassemble what has already appeared, to not leave intact what is protected by the frame. Immaturity advances, sight is not enough.