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Ginevra #1 M [Limited Edition of 10] Flower Works Series Photograph
Photography, Color on Chromaluxe Hd Metal Print
Size: 39.4 W x 39.4 H x 0.8 D in
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About The Artwork
Available formats: 50 x 50 cm [approximately 20 x 20 inches] 100 x 100 cm [approximately 40 x 40 inches] 200 x 200 cm [approximately 80 x 80 inches] Please contact curator@saatchiart.com if you are interested. ______________________ The female mouth, artfully smeared with pink jelly and adorned with delicate Calla petals, is a powerful statement. It bridges the purity and elegance of the Calla with the sensuality of the mouth, reminiscent of the ancient goddess Aphrodite, representing both beauty and sensual love. The pink jelly symbolizes the transience and fragility of life, while the Calla petals could represent immortality and rebirth. From an art historical perspective, the composition recalls the still lifes of the Baroque era, where flowers were often used as Vanitas symbols. Psychologically, the piece raises questions about femininity, beauty, and the balance between strength and fragility. It challenges the viewer to reflect on the duality of authenticity and staging, of naturalness and artifice.
Original Created:2023
Subjects:Floral
Details & Dimensions
Photography:Color on Chromaluxe Hd Metal Print
Artist Produced Limited Edition of:10
Size:39.4 W x 39.4 H x 0.8 D in
Frame:Not applicable
Ready to Hang:Yes
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Germany.
Customs:Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.
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The focus of ARTURUTRA is mouths. Yet these fragmented bodies do not conform to classical portraits. They often resemble staged still lifes. The works are characterized by a narrative ambiguity. The viewer sees and must fill in the missing elements themselves. Perhaps they view with the eyes constantly absent in the works. Then, the depicted mouths speak with the inner voice of the observer.
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