VIEW IN MY ROOM
United Kingdom
Photography, Digital on Paper
Size: 11.4 W x 16.5 H x 0 D in
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I have been concerned with environmental issues for a long time and often make use of what is readily available. I therefore often use recycled materials to create work with. The print is a digital image of the original artwork /object which was made by using a fish tin as part of the body with a geometric drawing on plywood. I photographed the object to add a further thought provoking layer to the work and increasing the size of the original artwork. The photographed object became larger than life and is meant to raise the question of what we are looking at and find visually pleasing.
Photography:Digital on Paper
Artist Produced Limited Edition of:5
Size:11.4 W x 16.5 H x 0 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
born in Heidelberg, Germany Living and working in UK My intricate drawings explore mark-making as compound memory. Constructed from layer upon layer of rectilinear geometries, obsessively serialised marks and lines, my work incorporates process as signifier of human response to both the experiential, as defined by materials and memory, and the mind’s abstract construction of form and meaning. These are the words used by art historian Martin Kerrison who wrote about my work. Simply said I am interested in serial mark making and memory. More recently my work has been described as follows: "Between passivity and action. Hanna’s linear proposals not to primal marks. They are straightforward and not at all, as they project and deny a complexity of the art making process. Paint and graphite are adhered at different stages then often partially removed. The aesthetic derived from their removal is not entirely in the artist’s control. The result is the reveal of a process of assertion and denial.” extract from an essay by Jillian Knipe, artist and writer
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