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United Kingdom
Photography, Black & White on Paper
Size: 23.4 W x 16.5 H x 0 D in
Ships in a Tube
Photography: Giclée, Color, Digital, Paper, Photo on Paper. Printed with a 3 cm white border on Fine Art paper using 12-color pigment inks ensuring archival longevity. Delivered with a certificate of authenticity and the artist’s signature on back of print. Different sizes on request. Taken from a boat floating down the Irrawaddy River in 1996, during a period of six months when I was living in South East Asia. I was playing violin in the Bangkok Symphony Orchestra using vacation time to explore the surrounding countries. As well as other parts of Thailand and Laos, I also travelled to Burma for two weeks stopping at Yongon, where I took this photograph.
Original Created:1996
Subjects:Landscape
Materials:Paper
Styles:DocumentaryFine Art
Mediums:Black & WhitePhotoDigital
Photography:Black & White on Paper
Artist Produced Limited Edition of:24
Size:23.4 W x 16.5 H x 0 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
Mark McEvoy has been a photographer for over 30 years, travelling extensively pursing long-term projects at home and abroad. His eclectic work is series based, mostly led by his fascination with human behavior, cultural and psychological identity and the contrasts that divide the world through opposing beliefs and traditions. Since completing an MA in Design and Interactive Media (2001) he has been exploring digital-photo narrative through video, sound and music as well as experimenting with traditional and digital photographic processes. His work stems from a documentary approach that is intuitive and visceral. Through technical constraints and specific approaches he seeks what lies below the surface, unnoticed or ignored. He is interested in developing a visual language that sits in limbo, betwixt and between, blurring the boundaries of genres, modes, disciplines and realms.
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