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San Marco - Limited Edition of 250 Photograph

Eric Uhlfelder

United States

Photography, Color on Paper

Size: 18 W x 8 H x 0.1 D in

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$545

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About The Artwork

Venice in Winter. It is the most artistic time to photograph the city. For the several weeks I stay each year, I pray for at least one fog day. I was walking behind the Piazza San Marco along narrow side streets. The day was grey. Rather poor for shooting. And until I turned down a calle that emptied in the Grand Canal, I had no idea the fog had rolled in over this portion of the city. I got onto a vaporetto at San Zaccaria, heading west toward Accademia when this remarkable scene appeared. Only a few times when I'm shoting do I know I've come across something unique. This was one of those times. Since I took this image, the city has installed a gondola parking station and break water in front of San Marco to protect the Piazza from rough water. It may do that. But it has marred the clean lines that for century defined this classic perspective of San Marco.

Details & Dimensions

Photography:Color on Paper

Artist Produced Limited Edition of:250

Size:18 W x 8 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

1957, NYC

Eric Uhlfelder is a fine-art photographer, having focused on cities in the Eastern US and across Western Europe. His work is connected with his original career in city planning and urban design. He also is a writer, having covered various subjects including Paris and Venice, city planning, finance, photography, and theatre.


The work of Eric Uhlfelder is driven by two major concerns: the beauty of urban form and the remembrance of things past.

The Parisian images are from a project Uhlfelder initially undertook between 1983 and 1991 when he studied the city's changing architectural character. His photographs of vernacular Paris evoke the city of Marville and Atget. From serpentine staircases, the rise of the Eiffel Tower, to the flow of the city's streets and the Seine, the curve is Paris' most descriptive feature, and recurs throughout Uhlfelder's work.

The black-and-white pieces of Venice [1987-1998] evoke a very different image of this remarkable place. Reducing the city's wide range of colors to various tones of gray, the artist focuses on Venice's equally compelling composition: the juxtaposition of building and space, the integration of structure and water, and the outright splendor of the city's architectural forms.

Venice in color looks at the city in a unique manner. The walls of Venice are one of the city's most indigenous and anachronistic features. By focusing upon them close up, the surfaces of barns, railroad cars, building fenestrations, and interiors read as modern abstract art.

Uhlfelder's traditional Venetian color renderings are homage to the city's simple, understated elegance.

Please click on http://parisandvenice.com/bio.html
for access to articles on his work.

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