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Rising Up and Into the Clouds IV Print - Limited Edition of 6

PETER SAHLMAN

United States

Printmaking, Digital on Paper

Size: 22 W x 17 H x 0.1 D in

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$340

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About The Artwork

Representational Allusions is a fundamental instrument of every persons everyday mind. It is used as our basic construct system of all our own realities to map, cubbyhole, arrange, and order the empirical world around us. Abstract paintings on the other hand, effect the mind in a completely different paradym. Often hitting areas of the brain that lay hidden and dormant. The mind then attempts to find a balance, a feeling, a reaction that automatically tries to use the representational tools used on a day to day basis to organize the abstraction. The artworks in this Series appear to depict real places in a moment in time. Actually they are fantastic fantasy scenes created to allow the viewer to escape into their own inner worlds to project one’s own reactions onto and through the image that provokes some feeling, memory, or wish. “Attachment is blinding; it lends an imaginary halo of attractiveness to the object of desire.” ― Paramahansa Yogananda, Autobiography of a Yogi (Hindu) In Buddhist philosophy, Māyā connotes a magic show, an allusion where things appear to be present but are not what they seem

Details & Dimensions

Printmaking:Digital on Paper

Artist Produced Limited Edition of:6

Size:22 W x 17 H x 0.1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

As a visual learner I gravitate to the actual creation of images as a way to humor a brain hard wired to download and retrieve hundreds of thousands of pictures. This journey has ironically led to the development of a body of work that looks not at the empirical world as seen through the eyes, ears, and senses. Instead, the oeuvre is a reflection of an unseen world, a sub particle world; a world that inhabits The Space Between The Spaces. The paintings are created over time and through the use of many layers that eventually weave together to build up what one would see in the minutiae of the micro-nano universe. The development of a picture is always the expression of an impulse, a force of and from nature. A fusion of natural law and spontaneous energy communicated through paint. Kandinsky, Hofmann, Miro, Francis, Pollock, Ryman, Polke, Stingel, Wool, Klee, Bradley, Muniz, Piene, Burri, Ryman. These artists inform my work. I take their masterful influence and marinate it into my own personal style of abstraction. Based on the sub atomic particle nuclear invisible world of space-time, dark matter, and energy, I channel the life-force of the greater universe into every brush stroke and gesture to create a harmonious living microcosm that takes the viewer to a different state of consciousness. Standing in front of painting will ultimately and inevitably transport the viewer’s mood and perception. At once both dizzying and calming, a picture reflects the dialectical tension between a wave and a particle. Between a moment and eternity, between supersymetry and abject chaos.

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