VIEW IN MY ROOM
Elena Bajo "The Pervasive Element" Detail View, Frieze Art Fair, FRAME, London, 2011 Print
United States
Printmaking, Screenprinting on Other
Size: 0.4 W x 0.4 H x 0.1 D in
About The Artwork
Elena Bajo, The Pervasive Element, Detail View, FRIEZE FRAME, 2011, London with D+T Project, selected by Cecilia Alemani and Rodrigo Moura, London. Elena Bajo, Artist in residence at the 2011 Frieze art fair's construction site. Construction materials discarded by the Fair's own processes of building and the workers' work were used to produce the artworks. The fair produces the work. The work is exhibited and sold at the fair. Journal/newspaper published and handed out free at the fair. Artists book, journal newspape, Collage, unique original piece made by the artist using pages from the London Times of each day of the fair she worked on site. Total 13 days, from 22 of oct to 4th of nov, 53 pages of collages made by replacing the images of the newspapers with the images from the process of the project at the fair. She stopped at day 13th since her process of collecting discarded materials from the fair finished the 4th of nov. The sequence of days is reversed the personal time and the timing of the process is reversed in relationship to the time of the world, of The London Times. The piece is the 13 pages of collage compressed and placed in a frame, only the front page is visible, the rest of days are concealed from the viewer.
Details & Dimensions
Printmaking:Screenprinting on Other
Original:One-of-a-kind Artwork
Size:0.4 W x 0.4 H x 0.1 D in
Frame:Not Framed
Ready to Hang:No
Shipping & Returns
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United States
MA Central Saint Martins, London http://www.elenabajo.com Elena Bajo's concept-generated practice is concerned with the social and political dimensions of everyday spaces, the strategies to conceptualize resistance, the poetics of ideologies, and the relationship between temporalities and subjectivities. She works individually and collectively across installation, sculpture, painting, performance, participatory events, film, text and writing. She uses exhibition spaces as studios or laboratories, where an experimental, itinerant, sitespecific performed sculpture unfolds, improvised actions and choreographed movements. Having as a point of departure art production processes, working with places as they are given to her and limited by the materials available around them, she rearranges these found elements into a new composition, juxtaposing the identities of prefigured social and political spaces and dimensions, creating a sometimes cryptic but always revealing new code of signifiers. A restaging of a space and time, of the past, into future events that uses chance, contingency and ambiguity of the moment
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