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Printmaking, Engraving on Paper
Size: 9.8 W x 9.1 H x 0.1 D in
Ships in a Tube
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This artwork is a mixed media composition: a ink woodblock print on a 3x3 adhesive labels matrix (each label is 58x60mm and still on its protective film ready to be used), to keep the all pieces in a straight and regular order there are some stripes of adhesive fabric yellow tape to make possible the "de-attaching & attaching" of the artwork on where you like (canvas, furniture, direct on wall or over another paint) here an example of printed drawing on adhesive labels (3128 pieces) on a wall: see the detail photos. The quality of the paper, the label and fabric as like the ink used for the print is a artistic superior level stable in the color and in the white.
Original Created:2017
Subjects:Popular culture
Materials:PaperSoft (Yarn, Cotton, Fabric)
Styles:IllustrationPop Art
Printmaking:Engraving on Paper
Artist Produced Limited Edition of:2
Size:9.8 W x 9.1 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Italy.
Customs:Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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Drawing is the activity that most directly records my kind of inspiration and individuality. Considering the range of my drawing styles, I have experienced the qualities of more detailed drawings versus quick doodles, and I note that because of the time constraints and/or rapid gestures of the latter, they have become more simplified and linear. The challenge for my art is finding a good midpoint, where the finished drawing is solid and unmistakable in form, but still retains some of the "oomph" of the action doodle. My single pieces are in fact the product of a lifetime of practice: the actual moment of production lasts just a few seconds, constructed with very fast gestures. Drawings which take longer than two minutes cannot usually be considered gestures: inevitably, they allow the artist more time to measure and plan the drawing, or to begin to define the form with modelling. And once an artist begins measuring, erasing, shading or otherwise improving the drawing with a second pass, he or she has ceased to "˜gesture-draw', and has begun rendering. To work over a drawing, to try to polish it, is no longer practicing the ability to draw an instant impression, and it is this ability to draw with something approaching the speed of the unconscious gesture in a pure emotional analytical eye, that I most highly value.
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