VIEW IN MY ROOM
United States
Printmaking, Etching on Paper
Size: 25.5 W x 21 H x 0.1 D in
Ships in a Tube
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During my trip to Namibia in Africa, I was amazed and delighted by the desert adapted wildlife, especially Rhinos and Elephants. These amazingly intelligent animals strategically navigate the remote deserts to find the infrequent watering holes and trees sparsely growing along underground streams. Non-native animals would never survive in this demanding environment because the intelligence is shared over generations. This elephant recalls one of many I saw moving along a dry river bed, high spirited and on his way to find more tender leaves. I have put him among my interpretation of Durer's Clouds, stylized shapes recurring in the great master's etchings. Hopefully, among the clouds, the elephants will be far away from poachers. I created this etching at Crown Point Press in San Francisco using a copper plate, which was covered with an acid resistant ground as a drawing surface, then the plate was submerged in an acid bath to bite the drawn lines. All my etchings are hand drawn from my imagination. I started drawing when I was three years old, have always loved lines and cross hatching. While my other work in painting and photography is contemporary, I really enjoy the challenge of the traditional intaglio printmaking. It's a draftsman's world. The limited edition of 10 prints was printed by Master Printers Emily York and Courtney Sennish on Somerset paper. Each print is entitled, dated and signed by me.
Printmaking:Etching on Paper
Artist Produced Limited Edition of:10
Size:25.5 W x 21 H x 0.1 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Born in Cleveland, Ohio, I have lived all my adult life in Los Angeles, primarily Venice and Santa Monica, where I have my art studio. As a young artist, I frequented the Art Museum and took classes at the Cleveland Institute of Art. CMA had beautiful Cezannes depicting Mt. St. Victoire, paintings that I loved. A few years ago, I spent a month in Aix en Provence, where I visited his studio and walked among the locations where he painted of the mountain and quarries. What a great painter! Much to Zola's bemusement, Cezanne painted St. Victoire for 20 years...the same subject...but always working with underlying geometric forms interacting with color. While I am no Cezanne, I, too, paint the same subjects repeatedly, always seeking to interact shapes and color to create a sense of space and energy. These subjects are inspired by extraordinary visual effects found in nature, usually while traveling: Spectacular Aurora Borealis in Iceland; Fantastic Fairy Circles on the Namibian desert. My Fairy Circles thème recalls another great artist, Sonia Delaunay, who created the first truly abstract painting in 1912. Her pioneering works continued the exploration of interacting colors with geometric shapes (with circles a predominate one). I am an abstract landscape painter using visual cues of relative contrast, overlapping shapes, complementary and derived neutral colors and other elements of perception I first learned from Ed Mieczkowski, one of the pioneers of the Op Art Movement, but I apply paint like an abstract expressionist. Painting technique is very important...I love mixing colors and applying glazes...and I'm very fussy about my brushes and paint consistency. In that sense, I am a traditional painter, not into digitized mixed media, even though I have an extensive background in computer applications. Recently, I have renewed my interest in blockchain technology, and I am fascinated by how NFT's have taken hold in the art world. I have some IP in that area, so I am thinking about venturing into superrare.com spaces. Stay tuned. Another passion is protection of rhinos. I actually went to Namibia to photo rhinos, which I did, and met rhino rangers in the Huab Conservancy. I love these endangered creatures, and I am working on a series of rhino etchings that I call "Cloudwalker". Printmaking is another interest. It requires draftsmanship and technical knowledge, which I have mastered to some degree.
Handpicked to show at The Other Art Fair presented by Saatchi Art in Los Angeles, Los Angeles, Los Angeles, Virtual, Los Angeles
Artist featured by Saatchi Art in a collection
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