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Michael Binkley carved this original representational stone sculpture of a female nude from a block of limestone quarried in the state of Indiana, USA. This particular limestone has been used for decades for architectural purposes. For example, the National Cathedral in Washington, DC is made of this stone and the Empire State Building is veneered with it. Being a sedimentary rock, the grain of this limestone has evidence of tiny shell shards and is deceptive in appearance. To the eye, it looks rough, but Binkley carved and polished the female figure to a silky smooth surface that is surprising to touch.

In 2008, Binkley started doodling ideas for this tall, narrow block of limestone. This block is an off-cut from a larger block that was used to carve the public art sculpture, “Kelp and Oyster Shell.” Based on its six foot tall narrow shape, the sculptor envisioned a female figure, draped backwards over the top of the block, leaving a good portion of the original block un-carved.

As Binkley was working on the figure’s legs, he began undercutting more and more. Eventually, the artist released her legs completely from the block and carved almost all her buttocks. The curve that her legs form is reflected in the curve of the stone that he cut away from behind her legs. On this revealed surface, he made a textured chisel pattern that helps to lead the viewer’s eye upwards.The eye is led up the figure from her feet to her face and then follows down to her cascading hair. Her left arm languidly drapes and her right hand brushes through her hair. What began as an idea of a figure lying on top of a stone pillar changed into a figure that appeared to be floating.

When Binkley installed it in the gallery for the 2008 Studio Show, the first title was “Water Siren”, as he thought she looked like she was floating in liquid. But at the opening of the exhibition, one patron said she thought the figure looked like the nude was emerging from the stone – she used the term “awakening” from the block – and that she was floating in air. Binkley loved the concept enough to change the title to “Awakening”.
Michael Binkley carved this original representational stone sculpture of a female nude from a block of limestone quarried in the state of Indiana, USA. This particular limestone has been used for decades for architectural purposes. For example, the National Cathedral in Washington, DC is made of this stone and the Empire State Building is veneered with it. Being a sedimentary rock, the grain of this limestone has evidence of tiny shell shards and is deceptive in appearance. To the eye, it looks rough, but Binkley carved and polished the female figure to a silky smooth surface that is surprising to touch.

In 2008, Binkley started doodling ideas for this tall, narrow block of limestone. This block is an off-cut from a larger block that was used to carve the public art sculpture, “Kelp and Oyster Shell.” Based on its six foot tall narrow shape, the sculptor envisioned a female figure, draped backwards over the top of the block, leaving a good portion of the original block un-carved.

As Binkley was working on the figure’s legs, he began undercutting more and more. Eventually, the artist released her legs completely from the block and carved almost all her buttocks. The curve that her legs form is reflected in the curve of the stone that he cut away from behind her legs. On this revealed surface, he made a textured chisel pattern that helps to lead the viewer’s eye upwards.The eye is led up the figure from her feet to her face and then follows down to her cascading hair. Her left arm languidly drapes and her right hand brushes through her hair. What began as an idea of a figure lying on top of a stone pillar changed into a figure that appeared to be floating.

When Binkley installed it in the gallery for the 2008 Studio Show, the first title was “Water Siren”, as he thought she looked like she was floating in liquid. But at the opening of the exhibition, one patron said she thought the figure looked like the nude was emerging from the stone – she used the term “awakening” from the block – and that she was floating in air. Binkley loved the concept enough to change the title to “Awakening”.
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Awakening Sculpture

Michael Binkley

Canada

Sculpture, Stone on Stone

Size: 18 W x 72 H x 13 D in

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$28,500

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About The Artwork

Michael Binkley carved this original representational stone sculpture of a female nude from a block of limestone quarried in the state of Indiana, USA. This particular limestone has been used for decades for architectural purposes. For example, the National Cathedral in Washington, DC is made of this stone and the Empire State Building is veneered with it. Being a sedimentary rock, the grain of this limestone has evidence of tiny shell shards and is deceptive in appearance. To the eye, it looks rough, but Binkley carved and polished the female figure to a silky smooth surface that is surprising to touch. In 2008, Binkley started doodling ideas for this tall, narrow block of limestone. This block is an off-cut from a larger block that was used to carve the public art sculpture, “Kelp and Oyster Shell.” Based on its six foot tall narrow shape, the sculptor envisioned a female figure, draped backwards over the top of the block, leaving a good portion of the original block un-carved. As Binkley was working on the figure’s legs, he began undercutting more and more. Eventually, the artist released her legs completely from the block and carved almost all her buttocks. The curve that her legs form is reflected in the curve of the stone that he cut away from behind her legs. On this revealed surface, he made a textured chisel pattern that helps to lead the viewer’s eye upwards.The eye is led up the figure from her feet to her face and then follows down to her cascading hair. Her left arm languidly drapes and her right hand brushes through her hair. What began as an idea of a figure lying on top of a stone pillar changed into a figure that appeared to be floating. When Binkley installed it in the gallery for the 2008 Studio Show, the first title was “Water Siren”, as he thought she looked like she was floating in liquid. But at the opening of the exhibition, one patron said she thought the figure looked like the nude was emerging from the stone – she used the term “awakening” from the block – and that she was floating in air. Binkley loved the concept enough to change the title to “Awakening”.

Details & Dimensions

Sculpture:Stone on Stone

Original:One-of-a-kind Artwork

Size:18 W x 72 H x 13 D in

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Canadian fine artist Michael Binkley, based in Vancouver, BC, Canada is a professional stone sculptor with over 40 years experience and is among Canada’s most successful self-represented artists. Binkley is primarily self-taught and works in a wide range of idiom, scale and type of stone, including marble, granite, jade and limestone. His favourite subject is the human nude, but he also creates pure abstract and wildlife images. Binkley invites you to visit his website, MichaelBinkley.com to learn more about this talented artist. He maintains a constantly changing collection of sculpture for sale in his gallery, but Binkley can also create site specific art for your specific needs. He has extensive experience working in collaboration with patrons, gallery owners, art consultants, designers, architects and landscape designers. You work hard to create your comfortable living environment and good quality fine art is an important element in that environment. Have you considered sculpture in your life? Binkley is very approachable and welcomes your inquiries. With Michael Binkley, there is no Artspeak mumbo jumbo - simply real quality fine art stone sculpture from a real human being.

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