VIEW IN MY ROOM
United Arab Emirates
Sculpture, Paper on Paper
Size: 6.5 W x 12 H x 3 D in
Ships in a Box
This is the second in a series of experimental pieces using recycled paper pulp and recycled paper/card. My aims are to create artworks that are made almost entirely from recycled materials and to explore ideas around micro evolution in the natural world as nature's response to human pollution. By forming an array of spines, sharp points and thorn like structures as well as using the colours red, yellow, black and white I am exploring some of the ways nature defends itself agains predators. Animals often use aposematic colourations to warn of their poisonous or venomous nature and plants use spinescence, trichomes and thorns to deter predators and warn of danger. Yet can such naive natural defences be enough against the pollution and damage inflicted by humans? As more research becomes available, the human impact on the natural world is being seen in far deeper ways such as the microevolution of plants in response to changes in PH levels, heavy metal pollution and herbicides, not to mention the adaptations that occur from using GM crops and monoculture agriculture. I am asking if there will be adaptations in the natural world that will be less naive and more damaging? Is it possible for humans to cause micro evolutional changes that become deadly? This lightweight sculpture would be ideal displayed as desk art or on a shelf or plinth. It has a natural cork base that will protect any surface it stands on and it has been given several protective layers of varnish.
Sculpture:Paper on Paper
Original:One-of-a-kind Artwork
Size:6.5 W x 12 H x 3 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Arab Emirates.
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United Arab Emirates
The order and perfection of geometry captured me from the moment my father put a compass in my hand, at the age of 4. Geometry often appears in my art and for me, it can be a symbol of order, structure and rules. To juxtapose fragments of perfectly formed geometry beside intuitive mark making, abstract swirls of colour or photo layered images and drawings fills me with a sense of satisfaction as it somehow mirrors our lives - a multiplicity of seemingly random events that may have some order beneath. Often, my artwork has a deeper symbolic narrative that allows it to almost be read and understood on a variety of levels. Certain geometric shapes and designs can be seen to have symbolic meaning in Islamic art, I sometimes use this to build in a deeper layer of symbolism into my work. Having lived the first part of my life in the diverse island of Trinidad, in the caribbean, I am drawn to vivid colours and textures, perhaps somehow harking back to the colours of carnival. Yet my personal studies into Islamic, Euclidean and non Euclidean geometry have opened up a world of psychological and spiritual symbology that has allowed me to explore bigger themes such as order and chaos; predetermination and freedom; intuition and reason.
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