VIEW IN MY ROOM
The Belgian Sculpture
United States
Sculpture, Digital on Wood
Size: 31 W x 41 H x 3 D in
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About The Artwork
This piece works on several levels. The canvas within is a super saturated and digitally manipulated photograph inspired by the work of Rene Magritte. But it is printed on the canvas on the rear of the stretcher frame. The stretcher frame and canvas appear very old and well used. There are breaks and repairs. Labels from galleries. Scribbled notes in various hands (including, "This is not a Magritte" and what might be a shipping label with Coco Chanel's studio address) carved into the surface. The effect gives the viewer pause: "Is there a valuable painting on the rear of the piece?" And the answer is no. But there is a cheap bit of mall art back there. The art is framed by several layers, containers, or frames. One is painted in blue directly onto the canvas, the stretchers are another, and the third is the ornate frame surrounding the whole thing.
Original Created:2020
Subjects:Men
Details & Dimensions
Sculpture:Digital on Wood
Original:One-of-a-kind Artwork
Size:31 W x 41 H x 3 D in
Frame:Brown
Ready to Hang:Not applicable
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
DAVID GALLO b1966 Creates innovative scenic and media design for television, concerts, and events. He has designed over 30 Broadway shows, garnering him four Tony nominations and one win. He won two Emmy awards (three nominations) for Outstanding Set Design for Sesame Street, and he designed Jerry Seinfeld: 23 Hours to Kill for Netflix. He has designed numerous other productions, winning every major award for theatrical set design. David was creative director for eight of Phish's mind-blowing rock and roll New Year's Eve extravaganzas at Madison Square Garden and the American Airlines Arena. He provides a complete vision for every aspect of the experience from concept and creative development to design, choreography, and execution. His work for Blue Man Group has been seen by millions in New York, Boston, Chicago, and Las Vegas, and the Illusionarium he created for Norwegian Cruise Line was a pioneer in immersive entertainment venues. The Cooper-Hewitt, Smithsonian, McNay and Rock & Roll Hall of Fame all own his work.
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