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'PARADISE LOST' Print

Claire Milner

United Kingdom

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About The Artwork

This painting is unstretched and shipped in a tube, there is a generous border to allow for stretching and framing if required. The second painting in a series focusing on the Leuser Ecosystem which is one of the most ancient and life-rich ecosystems ever documented by science. It is the last place on Earth where Sumatran orangutans, elephants, tigers, rhinos and sunbears still roam the same habitat, a hotspot of biodiversity and among the most important areas of intact rainforest left in Southeast Asia. Industrial development for palm oil, pulp and paper plantations and mining continues to threaten the entire ecosystem, despite being technically protected under Indonesian national law. This work is part of the collection entitled 'Anima Mundi' which spotlights the intrinsic connection between all living things on the planet. This equitability of importance between all living organisms is underscored by challenging the usual hierarchy of foreground and background and giving equal significance in the compositions between figures, flora and fauna. The works are both allegorical and literal and simultaneously present a utopian and dystopian viewpoint. Self-portraits appear as ‘protector of the animals’ and environment, making up the majority of the canvas, but certain repeating themes are signifiers that in an otherwise halcyon landscape, all is not quite as it seems. The butterfly represents chaos theory and the idea that initial small changes may ultimately have profound effects, such as the extensive impact of climate change. Paint skins with printed text and photographic imagery showing graphic scenes of poaching are camouflaged into some paintings. The photographic images are difficult to pick out at first sight, but once noticed are hard to forget and have a multi-layered tactile aesthetic, presenting a surface optimism with a depth that concurrently speaks to much darker issues. Panels show camera phones detailing the impact of threats facing the natural world indicating indifference and detachment when viewed through a lens. These references to topical culture place the work directly in the present tense, yet the jungle paintings are simultaneously Rousseau inspired, reaching backwards into art history.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:10 W x 10 H x 0.1 D in

Size with Frame:15.25 W x 15.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

British artist Claire Milner was famously commissioned to create the Blue Marilyn portrait for Rihanna, widely featured by the global media, but her personal body of work is made up of paintings inspired by her time spent in Africa focusing on social and environmental issues. In May 2023 Milner was selected as one of fewer than ten artists worldwide for Active Membership of the Gallery Climate Coalition, along with several blue chip galleries, institutions and museums. Her work was selected by the conference organisers to be exhibited in the Blue Zone of COP26. She works in collections which are continuously evolving around the theme of nature, our place within it and encroachment upon it. Environmental references such as climate change and mass extinction have been the central focus of her image making for more than two decades. Her artworks include diverse mediums including paint, paper and collage, and as a signifier of her familial ties to Italy, she sometimes incorporates the ancient art of mosaic - famous for animal depictions – and crystal methodologies as a symbiosis of past and present. Her portrayal of animals’ interchanges between the metaphoric and the literal, yet the impact of humanity remains implicit, even when the human figure is absent or plays a minor role in the composition. Her process begins with extensive research, engaging in hours of study, compiling statistics and viewing painful imagery of the consequences of poaching, habitat loss and climate change. A great deal of consideration is given to the integration of this material into the final composition, where realistic and abstract elements coexist, alongside carefully selected art historical references and themes from classical literature forming a balance of topical and historical narratives. Milner’s work has been displayed in museum exhibitions in the UK and her paintings have been widely featured in the global media including the BBC, BLOUIN ARTINFO, Channel News Asia, Elle, Forbes, Huffington Post Arts, The Observer, Save Virunga, The Telegraph, The Times, Vogue Paris and Vogue India.

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