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Claire Milner

United Kingdom

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About The Artwork

COLLABORATION WITH CHARITY: WATER AND THE OTHER ART FAIR Each year I am approached by a number of organisations to contribute through my work to their efforts on the ground. This is a fundamental part of my practice, to create art, not just for art’s sake, but to stimulate real change. Through this process and after much research I select organisations such as charity: water doing significant work that I want to support. The creative process begins with finding inspiration through a meaningful connection, in this case it was Africa. I have an especially deep connection to Africa, the creatures and people I met during time spent in several African countries constantly re-emerge in my work. My painting is inspired by my memories of such places, where the essential work of charity: water also operates. Before I begin work on any project, I research it thoroughly. I was both shocked by the scale of the water crisis and heartened by the crucial work of charity: water in partnership with local experts and communities. I particularly enjoyed reading stories from the field and noticed the Jerry Can appeared again and again - I knew it had to be an intrinsic part of the painting. As I researched, ideas formed and eventually the final composition crystallised in my mind. My paintings are at the intersection of abstraction and figuration and explore concepts surrounding the hidden and the revealed. The image of the Jerry Can follows this process, consecutively appearing as if in the mind of the central figure, as a precious receptacle on the head of the secondary figure and as an abstract shape in a simultaneous left and right brain activation. The representation of the Jerry Can appears and disappears and is as elusive as clean water for all.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:10 W x 10 H x 0.1 D in

Size with Frame:15.25 W x 15.25 H x 1.2 D in

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British artist Claire Milner was famously commissioned to create the Blue Marilyn portrait for Rihanna, widely featured by the global media, but her personal body of work is made up of paintings inspired by her time spent in Africa focusing on social and environmental issues. In May 2023 Milner was selected as one of fewer than ten artists worldwide for Active Membership of the Gallery Climate Coalition, along with several blue chip galleries, institutions and museums. Her work was selected by the conference organisers to be exhibited in the Blue Zone of COP26. She works in collections which are continuously evolving around the theme of nature, our place within it and encroachment upon it. Environmental references such as climate change and mass extinction have been the central focus of her image making for more than two decades. Her artworks include diverse mediums including paint, paper and collage, and as a signifier of her familial ties to Italy, she sometimes incorporates the ancient art of mosaic - famous for animal depictions – and crystal methodologies as a symbiosis of past and present. Her portrayal of animals’ interchanges between the metaphoric and the literal, yet the impact of humanity remains implicit, even when the human figure is absent or plays a minor role in the composition. Her process begins with extensive research, engaging in hours of study, compiling statistics and viewing painful imagery of the consequences of poaching, habitat loss and climate change. A great deal of consideration is given to the integration of this material into the final composition, where realistic and abstract elements coexist, alongside carefully selected art historical references and themes from classical literature forming a balance of topical and historical narratives. Milner’s work has been displayed in museum exhibitions in the UK and her paintings have been widely featured in the global media including the BBC, BLOUIN ARTINFO, Channel News Asia, Elle, Forbes, Huffington Post Arts, The Observer, Save Virunga, The Telegraph, The Times, Vogue Paris and Vogue India.

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