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United States
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Fine Art Paper
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9 x 12 in ($45)
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White ($80)
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This is a hand modified digital print on archival paper. Each print in this series includes an area printed on reflective metallic foils and then collaged onto the print's surface. Voltaire and Jacques Derrida going at each other with a hacksaw humorously suggest the conflict between the Enlightenment and the post-modern. What are words and are they really meaningful signifiers? What is the role of the public intellectual in a 'post truth' public sphere? Images of money and religious martyrs haunt the mid ground of the print implying the dubious claims of public debate in the face of both brutal materialism and extra-rational faith. In the lower right a steel pen begs the question whether it is in fact 'mightier than the sword' and in the upper right ghostly telephone poles suggest the possibility of human communication despite all the obstacles against it. This print is a contemplation piece related to the artists ongoing concept of 'thoughtful objects' - visual sounding boards for guided contemplation. All pieces are hand signed and numbered by the artist on front in the lower right and on verso.
Print:Giclee on Fine Art Paper
Size:9 W x 12 H x 0.1 D in
Size with Frame:14.25 W x 17.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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United States
I make thoughtful mixed-media works that mediate friction between narrative and materiality. Novelistic pastiche and intuitive abstract painting confront each other in a bricolage of photographs, paint, and found objects. From a trace discovered in a few abject elements at the beginning of my process, I interweave strata, adding and subtracting components strategically or intuitively to create a quirky grammar of intellect and wonder. While my development has been steadily nourished by great mixed-media artists of the past, including Kurt Schwitters, Robert Rauschenberg and the Kienholzes, I'm also inspired by contemporaries like Fred Tomaselli, Julian Schnabel and Barnaby Furnas. Due to a lifelong visual impairment, I have access to the Library of Congress audio collection; the books I listen to while painting frequently inform my work. I think of my pieces as contemporary equivalents to religious icons, memory gardens or totem poles; abstracted story-boards in which the gaze explores systems of interpretation and meaning in a shared situation with the artwork. My practice seizes the narrative debris of Spectacle - advertisements with their flattened affect, litter, hyper-real media images, plastic paint - and humanizes them in matrices of personal symbolism. I strive to push the narrative element as far as it can go in materiality and, beyond merely illustrating, signify stories infused with broad, universal themes and questions.
Artist featured by Saatchi Art in a collection
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