VIEW IN MY ROOM
Netherlands
Drawing, Graphite on Paper
Size: 8.3 W x 11.1 H x 0 D in
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Return to Stardom This grapite pencil drawing ‘Sans Titre – 27-07-023’ is a return to stardom once more. Veronica Lake was the last one in the series. Lulu consider a series and world in her own right. Of course a star as well. Audrey however I drew only once, almost a decade ago. In fact, it’s one of those drawing I started my new cubism revolution with. Wouldn’t you agree it was about time I’d do another portrait of her? You know, my cubist style has evolved throughout the years. See what my roundism style could do this time. Forms and Ideas Somehow I keep returning to this almost hazy vision of keeping things fluffy and airy lately. I think I succeeded doing (or keeping) that in my drawing of Veronika. Surely I have described this feeling a couple of times before. It’s a quality I always have honored Cézanne for. I sum it up concisely for those who haven’t read previous art statement on the topic. Transparency and forms unfinished I consider a kind of start of an open discussion with spectators. They have to complete them in their minds. My theory entails a more comprehensive definition of what reality is, something more meaningful perhaps. Things with names attached are nothing more than forms. By half completing them this will trigger more imagination because that is what reality basically is.
Drawing:Graphite on Paper
Original:One-of-a-kind Artwork
Size:8.3 W x 11.1 H x 0 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Netherlands.
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Netherlands
1969, born in Nijmegen. My work can be seen in many countries all over the world. Corné employs a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. His favorites in doing so are oil paint, dry pastel and graphite pencil. He states that it’s not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It’s the tonal quality that is ever present in his work, creating the illusion of depth and mass on a flat 2d-plane. Corné combines figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.
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