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United States
Painting, Oil on Panel
Size: 30 W x 30 H x 2 D in
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I'm drawn to the hidden abstract patterns, random shapes, and aesthetic tensions I find in real objects–particularly within the confines of industrial structures and objects. While making gallery visits in the Tribeca neighborhood of lower Manhattan, a home furnishings store displaying unique chandeliers created with free form abstract glass orbs caught my eye and I took some reference shots to make this painting from. The globes were of smoked glass, but I thought it would make the composition even more excited, so I colorized the painting, applying a few coats of transparent colored glazes. I love discovering all the little distorted architectural details reflected in the glass shapes.
Painting:Oil on Panel
Original:One-of-a-kind Artwork
Size:30 W x 30 H x 2 D in
Frame:Black
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Born: Brooklyn, NY 1947 I started painting in the 1980's and took a hiatus for more than 20 years and picked up the brushes again in 2007. Stated showing again in 2009. The art I make explores the patterns, textures, and aesthetic tensions I see in manufactured objects – particularly within the confines of machinery and structures. When I was a kid growing up in Brooklyn, my neighborhood was near the elevated trains and I was especially attracted to the mystery and magic of the subways, city streets and exciting architecture of NYC. I was drawn to the art made by the ashcan school and precisionist artists and photographers of the earlier part of the 20th Century. And, although my style is a bit more contemporary, I think their influence is more and more evident in what I do today. I use my camera as my sketchbook, always looking for subject matter that intrigues me and makes a memorable impression. Then when transforming my reference into a piece of physical art, I make it my purpose to go beyond just a technical rendering, but also to infuse it with feeling, and I’m not happy until the art becomes an emotional experience for me, and hopefully the viewer. I think that’s what makes it art.
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