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Latvia
Painting, Acrylic on Canvas
Size: 63 W x 70.9 H x 1.6 D in
Ships in a Crate
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The key word in the painting is Michelin. In the painting I think about the meaning of Michael, Mike, Michelin or Mickey Mouse and its wide influence on society through Pop Culture. This time with the painting "Super Michelin" I lead the viewer to positive emotions, so that every morning is like starting a new on an unknown, wonderful journey. From the root of one word, completely different words are formed, with different meanings. Mike (mic) also means microphone. It is these coincidences where the word and its meaning come from, and how it is multi-layered, containing a lot of information, that make the information contained in the painting dense and give the viewer a wide flight of thoughts.
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:63 W x 70.9 H x 1.6 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Latvia.
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Latvia
Since her first independent works, the artist has adhered to a specific message by including various signs and symbols into her paintings. In her early paintings, she was more occupied with existential questions, but as time went by, her interest has strengthened in human relations, sexuality, love, and eroticism, as well as the capacity of the environmental significance. Her artistic handwriting shows a dual approach - expressively impulsive and coldly calculating - in both cases Laura Ozola uses what could be called feminine imagery: a delicate representation of her life experiences and the lessons learned. The basis of “Horizon without Clouds” are her recent works containing a playful reflection of male-female relationships, treated generally in laconic, planar fields of contrasting colour. Laura Ozola plays out these gender games using not only the human form but also objects ranging from clothes to tropic fruit, thus underlining an important point of reference for one’s identity - the reflection in one’s beloved through which to better know oneself.
Artist featured by Saatchi Art in a collection
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